''For other usages see Theatre (disambiguation)

Theatre or theater (Greek "theatron", "θέατρον") is the branch of the performing arts concerned with acting out stories in front of an audience using combinations of speech, gesture, music, dance, sound and spectacle — indeed any one or more elements of the other performing arts. In addition to the standard narrative dialogue style, theatre takes such forms as opera, ballet, mime, kabuki, classical Indian dance, Chinese opera, mummers' plays, and pantomime.

Overview of theatre

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"Drama" (literally translated, Action, from a verbal root meaning "I do") is that branch of theatre in which speech, either from written text (plays), or improvised is paramount. "Musical theatre" is a form of theatre combining music, songs, dance routines, and spoken dialogue. However, theatre is more than just what one sees on stage. Theatre involves an entire world behind the scenes that creates the costumes, sets and lighting to make the overall effect interesting. There is a particularly long tradition of political theatre, intended to educate audiences on contemporary issues and encourage social change. Various creeds, Catholicism for instance, have built upon the entertainment value of theatre and created (for example) passion plays, mystery plays and morality plays.

There is an enormous variety of philosophies, artistic processes, and theatrical approaches to creating plays and drama. Some are connected to political or spiritual ideologies, and some are based on purely "artistic" concerns. Some processes focus on a story, some on theatre as an event, some on theatre as a catalyst for social change. According to Aristotle's seminal theatrical critique Poetics, there are six elements necessary for theatre. They are Plot, Character, Idea, Language, Song, and Spectacle. The 17th-century Spanish writer Lope de Vega wrote that for theatre one needs "three boards, two actors, and one passion". Others notable for their contribution to theatrical philosophy are Konstantin Stanislavski, Antonin Artaud, Bertolt Brecht, Orson Welles, Peter Brook, Jerzy Grotowski.

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Thu, 28 Aug 2008 00:00:00 -0700
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Thu, 28 Aug 2008 00:00:00 -0700
Production designer Tony Fanning looked to his own past stage productions at Yale to capture the low-budget, avant-garde aesthetic. When designing the look of a feature film, the natural impulse is to make everything look better than reality. But for "Hamlet 2," production designer Tony Fanning had to rein in those impulses to make the high school production within the film appear believable. "Everything had to feel like it could be found and done by the kids themselves," Fanning said. A mirror ball in the film was constructed from shards of broken mirrors. And an Albuquerque sculptor specializing in found objects was drafted to construct the time machine in the shape of Yorick's skull. "There's not much to the set itself," he said. "It's some scaffolding and lighting and stuff. But it comes across as being a big production." For inspiration, Fanning looked back to the stage productions from his grad student days at Yale to capture the low-budget, avant-garde aesthetic. For Fanning, it's all done in the spirit of star Steve Coogan's character: "He's all about highlights and not about substance."

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