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<dc:date>2008-10-13T07:22+58:00
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<item rdf:about="http://www.nytimes.com/2008/04/03/movies/03crui.html?ex=1364875200&#x26;en=1caba1e201cb8ff7&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Tom Cruise, in Bit Role, Nips Studio&#x2019;s Top Gun</title>
<link>http://www.nytimes.com/2008/04/03/movies/03crui.html?ex=1364875200&#x26;en=1caba1e201cb8ff7&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[At an industry screening of the forthcoming comedy “Tropic Thunder,” Tom Cruise brought down the house with his portrayal of a dirty-dancing movie mogul.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/03/28/movies/w28movies.html?ex=1364356800&#x26;en=915b9b71292386b0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Movie Guide and Film Series</title>
<link>http://www.nytimes.com/2008/03/28/movies/w28movies.html?ex=1364356800&#x26;en=915b9b71292386b0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[MOVIES.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/13/movies/13box.html?partner=rssnyt&#x26;emc=rss">
<title>&#x2018;Chihuahua&#x2019; Is Top Draw at Box Office</title>
<link>http://www.nytimes.com/2008/10/13/movies/13box.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A picture about talking dogs, “Beverly Hills Chihuahua,” trampled Leonardo DiCaprio and Russell Crowe at the weekend box office.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/12/movies/12berk.html?partner=rssnyt&#x26;emc=rss">
<title>Film: Throwing Incaution to the Wind, Stone Paints Bush</title>
<link>http://www.nytimes.com/2008/10/12/movies/12berk.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The surprise about “W.” is that its left-wing creator made a movie that is not so much operatic or hysterical as utterly plausible.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/13/arts/television/13war.html?partner=rssnyt&#x26;emc=rss">
<title>Back to 1992: Revisiting the Clinton &#x2018;War Room&#x2019;</title>
<link>http://www.nytimes.com/2008/10/13/arts/television/13war.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The directors Chris Hegedus and D. A. Pennebaker call their new documentary “The Return of the War Room.” But the political strategists who inhabited that fabled room never really left.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/12/movies/12lim.html?partner=rssnyt&#x26;emc=rss">
<title>Film: Struggling With Faith and Gentrification</title>
<link>http://www.nytimes.com/2008/10/12/movies/12lim.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Abel Ferrara returns to his roots with films about Catholicism and Little Italy.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/12/us/12incentives.html?partner=rssnyt&#x26;emc=rss">
<title>States&#x2019; Film Production Incentives Cause Jitters</title>
<link>http://www.nytimes.com/2008/10/12/us/12incentives.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[States are moving to rein in programs that reimburse film producers for all manner of expenditures, from the salaries of stars to meals for the crew.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/12/business/media/12steal.html?partner=rssnyt&#x26;emc=rss">
<title>Scene Stealer: A DreamWorks Deal Could Rock Universal&#x2019;s Boat</title>
<link>http://www.nytimes.com/2008/10/12/business/media/12steal.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Just as NBC Universal has gained record profitability, a DreamWorks deal could create a disruption at the studio.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/12/arts/television/12stew.html?partner=rssnyt&#x26;emc=rss">
<title>DVD: Not-Quite-Flying Nuns, and Other Salvaged Skits</title>
<link>http://www.nytimes.com/2008/10/12/arts/television/12stew.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Long before he became an unlikely movie star, Dudley Moore made his mark teaming up with the comedian Peter Cook in a BBC series called “Not Only ... but Also.”    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/12/movies/12raff.html?partner=rssnyt&#x26;emc=rss">
<title>Film: Enduring Witness Honors the Sacrifice of His Fellow Poles</title>
<link>http://www.nytimes.com/2008/10/12/movies/12raff.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Film Society of Lincoln Center is putting on a monthlong, nearly complete retrospective of the work of Andrzej Wajda.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/12/magazine/12wwln-q4-t.html?partner=rssnyt&#x26;emc=rss">
<title>Questions for Robert Kenner: Where&#x2019;s the Beef?</title>
<link>http://www.nytimes.com/2008/10/12/magazine/12wwln-q4-t.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The documentary filmmaker talks about why agribusiness is our greatest threat, what you should know about the veggie libel laws and the scary thing about chicken bones.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/10/movies/10arts-MOVIEADVERTI_BRF.html?partner=rssnyt&#x26;emc=rss">
<title>Arts, Briefly: Coming Soon to Oscars: Movie Advertisements</title>
<link>http://www.nytimes.com/2008/10/10/movies/10arts-MOVIEADVERTI_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Academy of Motion Pictures Arts and Sciences agreed to allow television commercials for forthcoming movies to be shown during the broadcast of the Oscars ceremony.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/10/11/movies/11quar.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Quarantine&#x27;: Infection&#x2019;s Bad Symptoms</title>
<link>http://movies.nytimes.com/2008/10/11/movies/11quar.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Quarantine,” yet another pseudo-documentary horror movie, delivers the heebie-jeebies with solid acting and perfectly calibrated shocks.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/10/10/movies/10happ.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Happy-Go-Lucky&#x27;: The Upside of Seeing the Bright Side</title>
<link>http://movies.nytimes.com/2008/10/10/movies/10happ.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Happy-Go-Lucky” is closely tuned to the pulse of communal life, to the rhythms of how people work, play and struggle together.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/10/10/movies/10lies.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Body of Lies&#x27;: Big Stars Wielding an Array of Accents, Fighting the War on Terrorism</title>
<link>http://movies.nytimes.com/2008/10/10/movies/10lies.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Ridley Scott’s new movie, “Body of Lies,” raises a potentially disturbing question. If terrorism has become boring, does that mean the terrorists have won?    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/10/movies/10ashe.html?partner=rssnyt&#x26;emc=rss">
<title>Film: Forging Artistic Identity in Swords of Old China</title>
<link>http://www.nytimes.com/2008/10/10/movies/10ashe.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With “Ashes of Time Redux,” Wong Kar-wai makes a definitive version of his 1994 swordsman film.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/10/10/movies/10embe.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;City of Ember&#x27;: Fleeing a Dying Civilization, Toward Hope and Sunlight</title>
<link>http://movies.nytimes.com/2008/10/10/movies/10embe.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[At moments “City of Ember” suggests a mild satire of end-of-days ideology.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/10/10/movies/10expr.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;The Express&#x27;: The Football Formula: Take One Hero, Add Emotion, Watch Him Overcome</title>
<link>http://movies.nytimes.com/2008/10/10/movies/10expr.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“The Express” is an honorable example of a tried-and-true formula, aimed at a large cross-section of the moviegoing public: people who love football and hate racism.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/10/10/movies/10scot.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Breakfast With Scot;: Gay Jock Meets Girlie-Boy and Bonding Is Awkward</title>
<link>http://movies.nytimes.com/2008/10/10/movies/10scot.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In “Breakfast With Scot,” an effeminate 11-year-old boy who loves boas, beads and Broadway musicals is taken in by a semi-closeted gay male couple.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/10/10/movies/10leon.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;La Le&#xF3;n&#x27;: Seeking a Connection in a Barren Place</title>
<link>http://movies.nytimes.com/2008/10/10/movies/10leon.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Moonlight, mist and thick tropical air permeate the landscape of “La León,” a sumptuous film about the swirling of desire in the Paraná Delta.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/10/10/movies/10nigh.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Night and Weekends&#x27;: The Gulf Between Persona and True Self</title>
<link>http://movies.nytimes.com/2008/10/10/movies/10nigh.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Night and Weekends” observes the failing days of a relationship and an awkward, post-breakup reunion.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/10/10/movies/10tale.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Talento de Barrio&#x27;: Aspirations That Go Beyond Gangsterism</title>
<link>http://movies.nytimes.com/2008/10/10/movies/10tale.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Daddy Yankee, a big star in the musical genre of reggaetón, takes his big-screen shot in “Talento de Barrio.”    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/10/10/movies/10conn.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Choose Connor&#x27;: Politically Incorrect</title>
<link>http://movies.nytimes.com/2008/10/10/movies/10conn.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Written and directed with unrelenting cynicism by 22-year-old Luke Eberl, “Choose Connor” is undeniably obvious and intermittently awkward.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/10/08/movies/08delw.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Delwende&#x27;: In Burkina Faso, Rebellion Stirs</title>
<link>http://movies.nytimes.com/2008/10/08/movies/08delw.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In “Delwende” the African filmmaker S. Pierre Yameogo tackles social injustice in present-day Burkina Faso with grace, economy and exquisitely controlled anger.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/10/08/movies/08rock.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;RocknRolla&#x27;: Guns N&#x2019; Poses: Thugs, Drugs and Style in Shady London</title>
<link>http://movies.nytimes.com/2008/10/08/movies/08rock.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Guy Ritchie reshuffles a worn-out deck in “RocknRolla,” a return to the shady stylings that characterized his earlier flicks.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/10/movies/10movies.html?partner=rssnyt&#x26;emc=rss">
<title>Film Series and Movie Listings</title>
<link>http://www.nytimes.com/2008/10/10/movies/10movies.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[MOVIES.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/08/movies/08fest.html?partner=rssnyt&#x26;emc=rss">
<title>Film: Final Festival Reels: New Takes on Old Themes</title>
<link>http://www.nytimes.com/2008/10/08/movies/08fest.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What does it say about our culture that “The Wrestler” and “Changeling,” the most prominent American films in the New York Film Festival, are shameless Oscar bait?    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/07/movies/homevideo/07dvds.html?partner=rssnyt&#x26;emc=rss">
<title>Critic&#x2019;s Choice: New DVDs: &#x2018;Risky Business&#x2019; and &#x2018;The Last Laugh&#x2019;</title>
<link>http://www.nytimes.com/2008/10/07/movies/homevideo/07dvds.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A newly remastered edition of “Risky Business” restores the film’s subtle textures. And “The Last Laugh” has never looked as dazzling on home video until now.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/05/movies/05ande.html?partner=rssnyt&#x26;emc=rss">
<title>Film: Gambling With a Return to the Mideast</title>
<link>http://www.nytimes.com/2008/10/05/movies/05ande.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Can “Body of Lies,” with Leonardo DiCaprio and Russell Crowe, finally make the Iraq war entertaining?    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/10/arts/design/10arts-JACQUESBRELS_BRF.html?partner=rssnyt&#x26;emc=rss">
<title>Arts, Briefly: Jacques Brel&#x27;s Auction Sales Are Alive and Well</title>
<link>http://www.nytimes.com/2008/10/10/arts/design/10arts-JACQUESBRELS_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A Sotheby’s auction of the Belgian singer and songwriter Jacques Brel’s possessions has generated more than $1.4 million in sales, Bloomberg News reported.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/07/movies/07arts-ACTORSWITHDI_BRF.html?partner=rssnyt&#x26;emc=rss">
<title>Arts, Briefly: Actors With Disabilities Seek More Roles</title>
<link>http://www.nytimes.com/2008/10/07/movies/07arts-ACTORSWITHDI_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“We are virtually invisible,” Robert David Morgan, a regular on “CSI,” said at a news conference on Monday announcing a plan to expand media-industry employment of people with disabilities.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/06/movies/06fire.html?partner=rssnyt&#x26;emc=rss">
<title>It&#x2019;s a Healthy Marriage of Faith and Filmmaking</title>
<link>http://www.nytimes.com/2008/10/06/movies/06fire.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The film “Fireproof,” about a firefighter who saves his marriage by turning to God, has become a box office success.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/05/movies/05lim.html?partner=rssnyt&#x26;emc=rss">
<title>Young and Out to Redefine What&#x2019;s Real</title>
<link>http://www.nytimes.com/2008/10/05/movies/05lim.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Afterschool,” a film by Antonio Campos, wrestles with the complications of young life in a YouTube world.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/10/05/movies/05cheng.html?partner=rssnyt&#x26;emc=rss">
<title>Film: Wong Kar-wai&#x2019;s Phoenix Project, Rising at Last</title>
<link>http://www.nytimes.com/2008/10/05/movies/05cheng.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Ashes of Time Redux” is a martial-arts movie that took years to film and more years to restore.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/17/arts/17dire.html?partner=rssnyt&#x26;emc=rss">
<title>Film Society Chooses Executive Director</title>
<link>http://www.nytimes.com/2008/07/17/arts/17dire.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Mara Manus, the Public Theater’s top financial executive, is taking the helm as the Film Society undergoes a $38 million expansion.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/17/fashion/17ROW.html?partner=rssnyt&#x26;emc=rss">
<title>Front Row: We&#x2019;re Off to See the Ruby Slippers</title>
<link>http://www.nytimes.com/2008/07/17/fashion/17ROW.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Betsey Johnson and 20 other designers are recreating Dorothy’s glittering ruby slippers to commemorate the 70th anniversary of “The Wizard of Oz” next year to benefit the Elizabeth Glaser Pediatric AIDS Foundation.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/16/arts/16arts-CANNESWINNER_BRF.html?partner=rssnyt&#x26;emc=rss">
<title>Arts, Briefly: Cannes Winner to Open New York Film Festival</title>
<link>http://www.nytimes.com/2008/07/16/arts/16arts-CANNESWINNER_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The 46th New York Film Festival will open with the North American premiere of “The Class” (“Entre les Murs”).    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/15/movies/15joffe.html?partner=rssnyt&#x26;emc=rss">
<title>Charles H. Joffe, Movie Producer, Is Dead at 78</title>
<link>http://www.nytimes.com/2008/07/15/movies/15joffe.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Mr. Joffe was a co-producer of Woody Allen’s movies and the business expert in the talent agency that managed the careers of a host of high-profile comedians.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/15/business/15paramount.html?partner=rssnyt&#x26;emc=rss">
<title>Paramount Drops Out of Plan to Raise $450 Million for Films</title>
<link>http://www.nytimes.com/2008/07/15/business/15paramount.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Paramount Pictures said it had pulled out of a planned film finance deal that was meant to raise as much as $450 million.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/01/books/review/Keepnews-t.html?partner=rssnyt&#x26;emc=rss">
<title>Out of Control</title>
<link>http://www.nytimes.com/2008/06/01/books/review/Keepnews-t.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An oral biography of the comedian Chris Farley.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/02/movies/02sex.html?partner=rssnyt&#x26;emc=rss">
<title>&#x2018;Sex and the City&#x2019; Leads Weekend Box Office</title>
<link>http://www.nytimes.com/2008/06/02/movies/02sex.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The film has earned an estimated $55.7 million since Thursday, making it an unconventional summer hit.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/02/us/02universal.html?partner=rssnyt&#x26;emc=rss">
<title>Fire Destroys Parts of a Popular Movie Lot in California</title>
<link>http://www.nytimes.com/2008/06/02/us/02universal.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A fire at NBC Universal’s studio lot in Universal City, Calif., destroyed a vault full of movie and television images and parts of the popular studio tour. At least six firefighters were injured.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/02/business/media/02carr.html?partner=rssnyt&#x26;emc=rss">
<title>The Media Equation: Slumber Parties Go Digital</title>
<link>http://www.nytimes.com/2008/06/02/business/media/02carr.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In the gender wars, men generally win the race to the bottom. This past week though, women were the ones who seemed completely preoccupied by the reproductive act.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/02/business/media/02kavanaugh.html?partner=rssnyt&#x26;emc=rss">
<title>Financier in Hollywood Strikes Deal in D.W.I.</title>
<link>http://www.nytimes.com/2008/06/02/business/media/02kavanaugh.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Ryan Kavanaugh pleaded no contest to, and was convicted of, one count of driving under the influence of alcohol, while more serious charges were dropped.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/01/movies/01mcgr.html?partner=rssnyt&#x26;emc=rss">
<title>Film: That License to Kill Is Unexpired</title>
<link>http://www.nytimes.com/2008/06/01/movies/01mcgr.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Ian Fleming, had he lived, would have celebrated his 100th birthday on Wednesday. James Bond, his greatest invention, is ageless and immortal.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/01/movies/01raff.html?partner=rssnyt&#x26;emc=rss">
<title>Film: Beauty, Brutality and Three Tough Mothers</title>
<link>http://www.nytimes.com/2008/06/01/movies/01raff.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Dario Argento’s latest danse macabre, “Mother of Tears,” starring his daughter Asia, is now on DVD.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/01/fashion/01SEX.html?partner=rssnyt&#x26;emc=rss">
<title>Fashion Review: 10 Years Later, Carrie Coordinated</title>
<link>http://www.nytimes.com/2008/06/01/fashion/01SEX.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Fashion has been a regular character defining trait throughout the “Sex and the City” series, and in the film version, the fashion is jaw-droppingly fantastic.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/01/business/media/01pixar.html?partner=rssnyt&#x26;emc=rss">
<title>Disney and Pixar: The Power of the Prenup</title>
<link>http://www.nytimes.com/2008/06/01/business/media/01pixar.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Two years in, the merger of Disney and Pixar is notable for how well the two companies have made it work.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/05/09/movies/09spee.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Speed Racer&#x27;: Gentlemen, Start Your Hot-Hued Engines</title>
<link>http://movies.nytimes.com/2008/05/09/movies/09spee.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Speed Racer” sets out to honor and refresh a youthful enthusiasm from the past and winds up smothering the fun in self-conscious grandiosity.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/05/09/movies/09surf.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Surfwise&#x27;: A Family That Surfs to a Beat: Its Own</title>
<link>http://movies.nytimes.com/2008/05/09/movies/09surf.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Surfwise” has a bohemian vibe and a cool sheen, but it’s an eager-to-please, pleasing commercial enterprise with a reassuring narrative arc.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/05/09/movies/09poul.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Poultrygeist: Night of the Chicken Dead&#x27;: Going for the Finger-Licking Gusto</title>
<link>http://movies.nytimes.com/2008/05/09/movies/09poul.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Poultrygeist: Night of the Chicken Dead” is just about as perfect as a film predicated on the joys of projectile vomiting and explosive diarrhea can be.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/09/fashion/09nite.html?partner=rssnyt&#x26;emc=rss">
<title>A Night Out With Ellen Page: Just a Girl From Halifax</title>
<link>http://www.nytimes.com/2007/12/09/fashion/09nite.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[While many actresses fantasize about wearing Valentino or Zac Posen on the red carpet, Ellen Page has a completely different idea.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/09/theater/09heal.html?partner=rssnyt&#x26;emc=rss">
<title>A Knack for Being the Bad Boy</title>
<link>http://www.nytimes.com/2007/12/09/theater/09heal.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The British actor Ian McShane opens next week as the patriarch Max in Harold Pinter’s “Homecoming,” a man-monster of diminishing powers and, of course, many vulgarities.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/08/movies/08blac.html?partner=rssnyt&#x26;emc=rss">
<title>Tomorrow&#x2019;s Oscar Hopefuls Today</title>
<link>http://www.nytimes.com/2007/12/08/movies/08blac.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The “Black List” has become the kind of underground document that writers with projects in development pray will mention their script.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/06/movies/awardsseason/06mira.html?partner=rssnyt&#x26;emc=rss">
<title>Under a New Watch, Miramax Still Homes in on Awards</title>
<link>http://www.nytimes.com/2007/12/06/movies/awardsseason/06mira.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Miramax may be a smaller and calmer organization under Daniel Battsek, but the studio has nonetheless remained in the thick of the awards race.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/05/education/05wiley.html?partner=rssnyt&#x26;emc=rss">
<title>For Struggling Black College, Hopes of a Revival</title>
<link>http://www.nytimes.com/2007/12/05/education/05wiley.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Wiley College is suddenly feeling the glow of celebrity with the release of a film about the school’s debating team.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/04/movies/homevideo/04dvd.html?partner=rssnyt&#x26;emc=rss">
<title>Critic&#x2019;s Choice: Respect in a Box: Giving John Ford the Major American Artist Treatment</title>
<link>http://www.nytimes.com/2007/12/04/movies/homevideo/04dvd.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Ford at Fox” is a gargantuan boxed set that assembles 24 of the 50-some films John Ford made for the studio that was his most consistent home.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/03/movies/03kite.html?partner=rssnyt&#x26;emc=rss">
<title>&#x2018;Kite Runner&#x2019; Boys Are Sent to United Arab Emirates</title>
<link>http://www.nytimes.com/2007/12/03/movies/03kite.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[After months of worrying and diplomatic wrangling, the movie studio that is releasing “The Kite Runner” has whisked to safety four young actors.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/02/movies/02carr.html?partner=rssnyt&#x26;emc=rss">
<title>Off the Stripper Pole and Into the Movies</title>
<link>http://www.nytimes.com/2007/12/02/movies/02carr.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[She no longer dances naked, but the first-time screenwriter Diablo Cody is still exposing herself.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/02/movies/02ande.html?partner=rssnyt&#x26;emc=rss">
<title>Down South, Singing the Indie Blues</title>
<link>http://www.nytimes.com/2007/12/02/movies/02ande.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Twenty-seven years and 16 features after they began their mutual career, John Sayles and Maggie Renzi are still making movies.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/02/world/americas/02mexico.html?partner=rssnyt&#x26;emc=rss">
<title>Film on Mexico&#x2019;s Disputed &#x2019;06 Election Stirs Emotions</title>
<link>http://www.nytimes.com/2007/12/02/world/americas/02mexico.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A documentary about last year’s disputed presidential election has drawn big crowds and generated controversy in Mexico.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/11/29/business/media/30writers.html?partner=rssnyt&#x26;emc=rss">
<title>Striking Screenwriters Dismiss New Proposals</title>
<link>http://www.nytimes.com/2007/11/29/business/media/30writers.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The screenwriters called the proposals from producers a “a massive rollback,” and called on their members to continue their walkout.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/09/movies/redcarpet/09cred.html?ex=1299560400&#x26;en=43f3535b843d9809&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Lawsuit Over Producer Credit for &#x27;Crash&#x27; Gets Personal</title>
<link>http://www.nytimes.com/2006/03/09/movies/redcarpet/09cred.html?ex=1299560400&#x26;en=43f3535b843d9809&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A top executive of the movie academy described one of the producing team behind the best-picture winner, "Crash," as throwing a tantrum in suing over credit for the film.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/07/movies/redcarpet/07osca.html?ex=1299387600&#x26;en=343e955b6b1559c1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: Los Angeles Retains Custody of Oscar</title>
<link>http://www.nytimes.com/2006/03/07/movies/redcarpet/07osca.html?ex=1299387600&#x26;en=343e955b6b1559c1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Los Angeles, a place where race is discussed rarely, saw itself in "Crash," a film where encounter and understanding are just a random fender-bender away. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06osca.html?ex=1299301200&#x26;en=88ae8631b27fa74e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>&#x27;Crash&#x27; Walks Away With the Top Prize at the Oscars</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06osca.html?ex=1299301200&#x26;en=88ae8631b27fa74e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In a stunning twist, the motion picture academy turned its back on "Brokeback Mountain," awarding the Oscar for best picture to "Crash."]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06fash.html?ex=1299301200&#x26;en=74ae98fe6e2c3233&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Fashion Diary: For Designers, an Image-Making Bonanza That Is Priceless</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06fash.html?ex=1299301200&#x26;en=74ae98fe6e2c3233&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[That everything is borrowed and everyone is shilling may be the most charming characteristic of the Academy Awards show. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06watc.html?ex=1299301200&#x26;en=c2aa71db85e6f4b8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The TV Watch: The Dresses, Low Cut, but the Tones Were Lofty</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06watc.html?ex=1299301200&#x26;en=c2aa71db85e6f4b8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The message of the Academy Awards show was a self-congratulatory one from Hollywood to itself: we care, we dare. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06diar.html?ex=1299301200&#x26;en=e8986a659820975a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Long March to the Red Carpet, Slow and Painful</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06diar.html?ex=1299301200&#x26;en=e8986a659820975a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An Oscar nominee, Bobby Moresco, co-screenwriter of "Crash," prepares himself in the days leading up to the awards. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/05/movies/redcarpet/05darg.html?ex=1299214800&#x26;en=42e4baaddc9700cb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Hollywood&#x27;s Crowd Control Problem</title>
<link>http://www.nytimes.com/2006/03/05/movies/redcarpet/05darg.html?ex=1299214800&#x26;en=42e4baaddc9700cb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An expected 41 million Americans will tune into the 78th annual Academy Awards to watch a spectacle largely honoring films they have not seen and may never get around to watching. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03pool.html?ex=1299042000&#x26;en=62a4a42cd3c5f533&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>One Last Best Shot at Calling the Oscars</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03pool.html?ex=1299042000&#x26;en=62a4a42cd3c5f533&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The problem with choosing this year's Oscar winners is that the possibilities seem as endless and impenetrable as the 64-team grid that ends in the N.C.A.A. championship. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03face.html?ex=1299042000&#x26;en=3e2712de36d96bdc&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>After an Oscar Nomination, Everybody Loves You (at Least for a While)</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03face.html?ex=1299042000&#x26;en=3e2712de36d96bdc&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Whether an Oscar nominee's newfound recognition in Hollywood will pay off in future, lasting and top-billed work is a crapshoot.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03tv.html?ex=1299042000&#x26;en=f761b65ca30afa9c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Hype-Week Patter as the Oscars Near</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03tv.html?ex=1299042000&#x26;en=f761b65ca30afa9c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood's magical ball is Sunday night, and all week television personalities have been fretting and squealing about it, expecting us to watch in supportive awe, like Cinderella.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/redcarpet/02cras.html?ex=1298955600&#x26;en=0567a889abe84d5e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>&#x27;Crash&#x27; Producers Clash Loudly Over Credit and Payment</title>
<link>http://www.nytimes.com/2006/03/02/movies/redcarpet/02cras.html?ex=1298955600&#x26;en=0567a889abe84d5e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A bare-knuckled fight has broken out among the producers of one of the leading Oscar-nominated movies, "Crash," over two of the things Hollywood cares about most: money and credit.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/02heff.html?ex=1298955600&#x26;en=19d37e30bbf676f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Brokeback Spoofs: Tough Guys Unmasked</title>
<link>http://www.nytimes.com/2006/03/02/movies/02heff.html?ex=1298955600&#x26;en=19d37e30bbf676f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Online parodies of "Brokeback Mountain" are proliferating faster than curatorial Web sites can keep up with them. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/garden/02fisher.html?ex=1298955600&#x26;en=3e867f2cf40c59e3&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>If You&#x27;ve Got It, Do You Flaunt It?</title>
<link>http://www.nytimes.com/2006/03/02/garden/02fisher.html?ex=1298955600&#x26;en=3e867f2cf40c59e3&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What you do with your Oscar, and where it goes in your house, seems to depend largely on where you are in your life.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/redcarpet/02teas.html?ex=1298955600&#x26;en=a9609415ddef7d02&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: For Your Consideration: Sappy Hallmark Moments</title>
<link>http://www.nytimes.com/2006/03/02/movies/redcarpet/02teas.html?ex=1298955600&#x26;en=a9609415ddef7d02&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The annual Oscar trailer is completely at odds with the idea that Jon Stewart and a crop of untraditional movies might lead to a newer, fresher Oscar show. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/01/education/01education.html?ex=1298869200&#x26;en=95d46192b386947b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>On Education: School Drama Coach Owns a Little Bit of Oscar Night</title>
<link>http://www.nytimes.com/2006/03/01/education/01education.html?ex=1298869200&#x26;en=95d46192b386947b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[John Fredricksen taught the director of "Capote," Bennett Miller, and the film's screenwriter, Dan Futterman, in Mamaroneck, N.Y., in 1984.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/28/movies/redcarpet/28wadler.html?ex=1298782800&#x26;en=fbdde6aa6a5d7f17&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Jon Stewart and the Night Visitor</title>
<link>http://www.nytimes.com/2006/02/28/movies/redcarpet/28wadler.html?ex=1298782800&#x26;en=fbdde6aa6a5d7f17&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It is 3 a.m. and Jon Stewart is anxious. He mutters somthing that sounds like "Stupid, Stupid, Stupid." Than he takes a long swig from a bottle of Stoli.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/27/business/media/27carr.html?ex=1298696400&#x26;en=d78eb92378113a83&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>David Carr: The Big Man Still Reigns in Hollywood</title>
<link>http://www.nytimes.com/2006/02/27/business/media/27carr.html?ex=1298696400&#x26;en=d78eb92378113a83&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[If you drill down into this year's best picture nominees, you will find that they are guerrilla insurgencies backed by superpowers.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/27/business/media/27adcol.html?ex=1298696400&#x26;en=e79431d7fc61cc06&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Advertising: Huge Audience or Not, Oscars Stand Apart</title>
<link>http://www.nytimes.com/2006/02/27/business/media/27adcol.html?ex=1298696400&#x26;en=e79431d7fc61cc06&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[This year's crop of nominations has some advertisers worried about the Oscar-night audience.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/26/fashion/sundaystyles/26oscar.html?ex=1298610000&#x26;en=7e37a53d719136ef&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Tribal Customs of Oscar</title>
<link>http://www.nytimes.com/2006/02/26/fashion/sundaystyles/26oscar.html?ex=1298610000&#x26;en=7e37a53d719136ef&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Unlike typical cocktail soirees, Oscar weekend parties have rules of behavior that fly in the face of conventional manners.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/26/movies/redcarpet/26solo.html?ex=1298610000&#x26;en=69e0f6d7a7333d74&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Careful, These Cartoons Pack a Punch</title>
<link>http://www.nytimes.com/2006/02/26/movies/redcarpet/26solo.html?ex=1298610000&#x26;en=69e0f6d7a7333d74&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In what some animators have complained is less than a vintage year for the Oscars animated short films category, John Canemaker's "Moon and the Son" stands out for its ambition. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/26/movies/26handelman.html?ex=1298610000&#x26;en=8b4c42f7f03eda29&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Directions: What She&#x27;d Really Like to Do Is Sing</title>
<link>http://www.nytimes.com/2006/02/26/movies/26handelman.html?ex=1298610000&#x26;en=8b4c42f7f03eda29&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Kathleen York, an actor-singer-songwriter, gets her close-up at the Academy Awards, where she will perform a song from "Crash."]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/24/movies/24shor.html?ex=1298437200&#x26;en=da605b6a642f4f71&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;The 2005 Academy Award-Nominated Short Films&#x27;: Good Things in Small Packages</title>
<link>http://www.nytimes.com/2006/02/24/movies/24shor.html?ex=1298437200&#x26;en=da605b6a642f4f71&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Oscar hoopla focuses on feature-length films, but some excellent, largely unseen work is also in competition in the short form. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/22/movies/redcarpet/22tease.html?ex=1298264400&#x26;en=1b94387d00565606&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: The Murderous Seductress Is Back</title>
<link>http://www.nytimes.com/2006/02/22/movies/redcarpet/22tease.html?ex=1298264400&#x26;en=1b94387d00565606&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Maybe the "Basic Instinct 2" trailer is trying to be serious and campy at once, but it only succeeds in being frustrating.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/21/movies/redcarpet/21wadler.html?ex=1298178000&#x26;en=990f29ffd67a96f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Penguins Gone Wild</title>
<link>http://www.nytimes.com/2006/02/21/movies/redcarpet/21wadler.html?ex=1298178000&#x26;en=990f29ffd67a96f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What happens when Inspector Jacques Clouseau travels to the frozen Antarctic to observe the long, noble march of the Penguins?]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/20/movies/MoviesFeatures/20osca.html?ex=1298091600&#x26;en=5394e5f6968e5e87&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>A First-Time Oscar Host in Search of That Fine Line</title>
<link>http://www.nytimes.com/2006/02/20/movies/MoviesFeatures/20osca.html?ex=1298091600&#x26;en=5394e5f6968e5e87&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Jon Stewart has, at least for one night, signed on to transform himself from Hollywood outsider to A-list insider.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/19/movies/redcarpet/19raff.html?ex=1298005200&#x26;en=777034091edb6bcb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Robert Altman&#x27;s Long Goodbye</title>
<link>http://www.nytimes.com/2006/02/19/movies/redcarpet/19raff.html?ex=1298005200&#x26;en=777034091edb6bcb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood has never known quite what to make of Robert Altman, but he's finally getting an Oscar anyway.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/17/movies/redcarpet/17fore.html?ex=1297832400&#x26;en=d3532c5b6dc68e9b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Five Oscar Nominees: Foreign, Not Alien</title>
<link>http://www.nytimes.com/2006/02/17/movies/redcarpet/17fore.html?ex=1297832400&#x26;en=d3532c5b6dc68e9b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In this year of politically themed best-picture contenders like "Munich" and "Good Night, and Good Luck," the foreign films have a similar urgency.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/15/movies/redcarpet/15bags.html?ex=1297659600&#x26;en=12006c57c967432a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Celebrity Freebies: A Force Irresistible?</title>
<link>http://www.nytimes.com/2006/02/15/movies/redcarpet/15bags.html?ex=1297659600&#x26;en=12006c57c967432a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In this Hollywood awards season, the piles of free stuff being handed to celebrities  nominees, award presenters, performers and members of their entourages  is escalating.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/15/movies/redcarpet/15tease.html?ex=1297659600&#x26;en=324b2136b7293113&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: From Russia, With All Kinds of Weird Stuff</title>
<link>http://www.nytimes.com/2006/02/15/movies/redcarpet/15tease.html?ex=1297659600&#x26;en=324b2136b7293113&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There are two visually striking, complementary ways of previewing the Russian-language vampire-and-apocalypse movie "Night Watch." ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/12/movies/redcarpet/12rothman.html?ex=1297400400&#x26;en=2735cd1bee3a1e53&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>I&#x27;d Really Like to Thank My Pal at the Auction House</title>
<link>http://www.nytimes.com/2006/02/12/movies/redcarpet/12rothman.html?ex=1297400400&#x26;en=2735cd1bee3a1e53&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The trade in vintage Oscars through publicized auctions and an underground market has become a parallel universe as competitive and bitter as the annual acting derby itself.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/10/movies/redcarpet/10tease.html?ex=1297227600&#x26;en=088897ad90b090c0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: The Tin Men of Hollywood</title>
<link>http://www.nytimes.com/2006/02/10/movies/redcarpet/10tease.html?ex=1297227600&#x26;en=088897ad90b090c0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Freedomland" spots are all over television now, and they're far more effective than the two-and-a-half-minute trailer that is online and in theaters. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/07/movies/redcarpet/07wadler.html?ex=1296968400&#x26;en=7d63194c06024d91&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: &#x27;Tis Pity He&#x27;s a Pimp</title>
<link>http://www.nytimes.com/2006/02/07/movies/redcarpet/07wadler.html?ex=1296968400&#x26;en=7d63194c06024d91&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[For those who disdain hip-hop, here's a tale of pimps and ho's dating back to the time of Shakespeare and suitable for the most discerning viewer.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/06/movies/redcarpet/dargis_qa.html?ex=1296882000&#x26;en=03efa76aba217fff&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Questions for . . . : Manohla Dargis</title>
<link>http://www.nytimes.com/2006/02/06/movies/redcarpet/dargis_qa.html?ex=1296882000&#x26;en=03efa76aba217fff&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Manohla Dargis, a chief film critic for The Times, answered readers' questions about the Academy Awards. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/03/movies/redcarpet/02tease.html?ex=1296622800&#x26;en=6adb02ab25539033&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: Films From All Over</title>
<link>http://www.nytimes.com/2006/02/03/movies/redcarpet/02tease.html?ex=1296622800&#x26;en=6adb02ab25539033&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Based on their trailers, the nominees for Best Foreign Film seem to share the political awareness that also characterizes the major Oscar films this awards season. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01wadler.html?ex=1296450000&#x26;en=d4aa096b9bd14431&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Looking for Comedy in the New World</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01wadler.html?ex=1296450000&#x26;en=d4aa096b9bd14431&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[King James I has sent Albert Brooks-Whining to the New World to find out what makes the Indians laugh, but mostly to get him out of England.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01osca.html?ex=1296450000&#x26;en=eaa530a2d82a8144&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Small Films With Potent Themes Lead Oscar Nominations</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01osca.html?ex=1296450000&#x26;en=eaa530a2d82a8144&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With size counting less than serious intent, Oscar nominations went to small films with deep political and social themes.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01bagg.html?ex=1296450000&#x26;en=60785b3b6497b856&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: Nominations Highlight the Sticky Issue of Credit</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01bagg.html?ex=1296450000&#x26;en=60785b3b6497b856&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The ad-hoc nature of moviemaking on the margins can lead to some hurt feelings when Oscar nominations are announced. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/29/movies/redcarpet/29ande.html?ex=1296190800&#x26;en=6ef335fac255dae1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>And the Documentary Nominees Aren&#x27;t . . .</title>
<link>http://www.nytimes.com/2006/01/29/movies/redcarpet/29ande.html?ex=1296190800&#x26;en=6ef335fac255dae1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Some great documentaries are ineligible for Oscars. Why? It's all in the fine print. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/26/movies/redcarpet/26tease.html?ex=1295931600&#x26;en=7b512bc40ca15543&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: It&#x27;s D&#xE9;j&#xE0; Vu All Over Again</title>
<link>http://www.nytimes.com/2006/01/26/movies/redcarpet/26tease.html?ex=1295931600&#x26;en=7b512bc40ca15543&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[All you can think watching the trailer for "Firewall" is that Harrison Ford should probably give up the ghost of his Tom Clancy roles.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/24/movies/redcarpet/24wadler.html?ex=1295758800&#x26;en=8f51421f30e5bc73&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Clich&#xE9; (Guilty White Bourgeoisie in Denial)</title>
<link>http://www.nytimes.com/2006/01/24/movies/redcarpet/24wadler.html?ex=1295758800&#x26;en=8f51421f30e5bc73&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Underfinanced Production Company's first foreign film has audiences all over downtown scratching their heads in puzzlement.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/22/movies/redcarpet/22globe.html?ex=1295586000&#x26;en=6e2c48c91a7e1bac&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Directions: Diplomacy on The Globes&#x27; Stage</title>
<link>http://www.nytimes.com/2006/01/22/movies/redcarpet/22globe.html?ex=1295586000&#x26;en=6e2c48c91a7e1bac&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In a surprise move, the Golden Globes credited the best foreign language film to Palestine. A representative explains the decision to an editor.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/18/movies/redcarpet/18wadler.html?ex=1295240400&#x26;en=20228d2b81e5c68a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: TransSylvania</title>
<link>http://www.nytimes.com/2006/01/18/movies/redcarpet/18wadler.html?ex=1295240400&#x26;en=20228d2b81e5c68a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[So definitively is this the year of gender malcontent in the cinema that one of its biggest stars has decided to come out of the coffin. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/18/movies/redcarpet/18glob.html?ex=1295240400&#x26;en=1ec503bea952987c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: In Movies, Big Issues, for Now</title>
<link>http://www.nytimes.com/2006/01/18/movies/redcarpet/18glob.html?ex=1295240400&#x26;en=1ec503bea952987c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With the year's string of weighty contenders at the Golden Globes, the industry seems to be suffering from a persistent bout of heavy thought.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17glob.html?ex=1295154000&#x26;en=96f04f77af43c3f4&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>At the Globes, &#x27;Brokeback Mountain&#x27; Takes Top Awards</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17glob.html?ex=1295154000&#x26;en=96f04f77af43c3f4&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Brokeback Mountain," a groundbreaking film about a love affair between two cowboys, took top awards at the 63rd Golden Globes. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17watc.html?ex=1295154000&#x26;en=7c910c2b45774142&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The TV Watch: Where the Mood Is Spontaneous, and a Little Serious</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17watc.html?ex=1295154000&#x26;en=7c910c2b45774142&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Golden Globes are a pass-fail version of the Oscars  a Hollywood awards ceremony that vaguely indicates merit, without any real risk of humiliation. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17Fash.html?ex=1295154000&#x26;en=e03979cb202cd242&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Fashion: The Temperature, Wind and Red Carpet Vagaries</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17Fash.html?ex=1295154000&#x26;en=e03979cb202cd242&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There were probably some last-minute agonies as actresses got ready for the red-carpet gauntlet at the Golden Globes. But for the most part, the women looked elegant.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15darg.html?ex=1294981200&#x26;en=cab347a48feba77b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: Dark Truths of a Killing Love</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15darg.html?ex=1294981200&#x26;en=cab347a48feba77b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In "A History of Violence" David Cronenberg has brilliantly complicated the divide between sex and violence, presenting these two seemingly separate realms as locked in hungry embrace.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15scot.html?ex=1294981200&#x26;en=736973c69c12678f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: How to Succeed in Business</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15scot.html?ex=1294981200&#x26;en=736973c69c12678f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Stephen Gaghan's "Syriana" is a movie full of quiet, enigmatic performances, but none is more intriguingly underplayed than Jeffrey Wright's.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15hold.html?ex=1294981200&#x26;en=1db44a23480db8b9&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: Nine Short Scenes of Women in Crisis</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15hold.html?ex=1294981200&#x26;en=1db44a23480db8b9&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[One brief scene in "Nine Lives" conveys more about its characters' inner lives than is revealed in most feature-length movies.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15edel.html?ex=1294981200&#x26;en=95209189603f47d8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Pervert, Vampire, Lout. Perfectly Nice Guy, Though.</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15edel.html?ex=1294981200&#x26;en=95209189603f47d8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Watching Philip Seymour Hoffman embody Truman Capote in "Capote," you want to throw every acting award there is at him and maybe a couple of Olympic medals, too.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15stev.html?ex=1294981200&#x26;en=8c9c67f8eea23f51&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Claire Danes Gets Her So-Called Shot</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15stev.html?ex=1294981200&#x26;en=8c9c67f8eea23f51&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Shopgirl" may put Claire Danes's intriguing face front and center at the Oscars. It's a role she was raised to play.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15burl.html?ex=1294981200&#x26;en=d875f617ff6e69da&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Why Stop at 43 Nominations?</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15burl.html?ex=1294981200&#x26;en=d875f617ff6e69da&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[John Williams is already the most widely admired musician in Hollywood. He may soon be the most celebrated.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15solo.html?ex=1294981200&#x26;en=2481f022cb5e44e5&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Cartoons Have Their John Henry Moment</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15solo.html?ex=1294981200&#x26;en=2481f022cb5e44e5&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood executives keep insisting that Americans want to watch only computer animation. But the likely candidates for the Oscar for best animated feature defy this assumption.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15jame.html?ex=1294981200&#x26;en=eb9e36b833b4cf32&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>When the Smartest in the Class Isn&#x27;t Most Likely to Succeed</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15jame.html?ex=1294981200&#x26;en=eb9e36b833b4cf32&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It has been a cerebral season at the movies, but when it comes to Oscars, hearts almost always trump minds. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Stranger Than Fiction; No Stranger to Awards</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Eighteeen movies inspired by true stories may vie this year for Oscar nominations  19, if you're a Red Sox fan and want to count "Fever Pitch." ]]></description>
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<title>For Those Who&#x27;ve Tired of Glory and Riches</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It was a surprisingly busy year for actors-turned-screenwriters.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Cruising on the Road to the Oscars. Or Missing the Exit.</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Some movies come out and steer right onto the fast track to the Academy Awards. Others take a wrong turn.]]></description>
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