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<item rdf:about="http://www.nytimes.com/2008/04/03/movies/03crui.html?ex=1364875200&#x26;en=1caba1e201cb8ff7&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Tom Cruise, in Bit Role, Nips Studio&#x2019;s Top Gun</title>
<link>http://www.nytimes.com/2008/04/03/movies/03crui.html?ex=1364875200&#x26;en=1caba1e201cb8ff7&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[At an industry screening of the forthcoming comedy “Tropic Thunder,” Tom Cruise brought down the house with his portrayal of a dirty-dancing movie mogul.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/03/28/movies/w28movies.html?ex=1364356800&#x26;en=915b9b71292386b0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Movie Guide and Film Series</title>
<link>http://www.nytimes.com/2008/03/28/movies/w28movies.html?ex=1364356800&#x26;en=915b9b71292386b0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[MOVIES.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/09/03/movies/03fest.html?partner=rssnyt&#x26;emc=rss">
<title>A Nostalgia for New York, by Way of the Toronto Film Festival</title>
<link>http://www.nytimes.com/2008/09/03/movies/03fest.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[At the festival, new movies pay homage to a New York that somehow got away.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/09/03/movies/03pool.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;The Pool&#x27;: Another World, Just Over the Hedge</title>
<link>http://movies.nytimes.com/2008/09/03/movies/03pool.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“The Pool” takes a look at the lives of the haves and the someday might haves in Goa.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/09/03/arts/television/03lafontaine.html?partner=rssnyt&#x26;emc=rss">
<title>Don LaFontaine, Voice of Trailers and TV Spots, Is Dead at 68</title>
<link>http://www.nytimes.com/2008/09/03/arts/television/03lafontaine.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Mr. LaFontaine brought his melodramatic baritone to so many movie trailers, commercials and television promos that he became known in the industry as “the voice of God.”    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/09/03/arts/music/03reed.html?partner=rssnyt&#x26;emc=rss">
<title>Jerry Reed, Country Singer and Actor, Dies at 71</title>
<link>http://www.nytimes.com/2008/09/03/arts/music/03reed.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Mr. Reed was a popular country singer and movie actor whose larger-than-life storytelling and flashy guitar work vividly evoked Southern life.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/09/02/movies/homevideo/02dvds.html?partner=rssnyt&#x26;emc=rss">
<title>New DVDs: On the Margins of Noir</title>
<link>http://www.nytimes.com/2008/09/02/movies/homevideo/02dvds.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Fox Film Noir collection includes Archie Mayo’s “Moontide” (1942), Elia Kazan’s “Boomerang!” (1947) and Jean Negulesco’s “Road House” (1948).    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/09/02/business/02movie.html?partner=rssnyt&#x26;emc=rss">
<title>At Movies, Fewer Eyes, Bigger Haul</title>
<link>http://www.nytimes.com/2008/09/02/business/02movie.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Fewer people went to the movies this summer than last, but higher ticket prices and a Batman sequel delivered near-record revenue to the major studios.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/09/03/books/03masl.html?partner=rssnyt&#x26;emc=rss">
<title>Books of The Times: Connecting Reagan the Actor to Reagan the Politician</title>
<link>http://www.nytimes.com/2008/09/03/books/03masl.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Marc Eliot’s book is predicated on the idea that Ronald Reagan is best understood as “a serial populist” and that his career in government had its roots in his long acting career.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/09/03/business/worldbusiness/03fund.html?partner=rssnyt&#x26;emc=rss">
<title>Abu Dhabi Puts More Cash on the Line in Hollywood</title>
<link>http://www.nytimes.com/2008/09/03/business/worldbusiness/03fund.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Abu Dhabi Media, flush with oil cash, is adding to the $1 billion deal it announced with Warner Brothers last year, and is putting another billion in a new movie business.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/08/31/movies/31head.html?partner=rssnyt&#x26;emc=rss">
<title>Film: Revisiting Coen Country for Odd Men</title>
<link>http://www.nytimes.com/2008/08/31/movies/31head.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With “Burn After Reading,” the Coen brothers return to their specialty: the morbid and the comic.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/08/31/movies/31gate.html?partner=rssnyt&#x26;emc=rss">
<title>Film: You&#x2019;ve Come a Longish Way, Baby</title>
<link>http://www.nytimes.com/2008/08/31/movies/31gate.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Critics and moviegoers will decide how the new version of “The Women” stacks up against its 69-year-old inspiration, but we can tell you now: It is different.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/09/02/arts/dance/02ball.html?partner=rssnyt&#x26;emc=rss">
<title>Dance: Lessons in Dance and Life, on Paper and on Screen</title>
<link>http://www.nytimes.com/2008/09/02/arts/dance/02ball.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A film version of Noel Streatfeild’s “Ballet Shoes,” about three adopted sisters who attend a stage school in Bloomsbury, will be released on DVD in the United States on Tuesday.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/09/01/movies/01arts-ANOTHERBLAST_BRF.html?partner=rssnyt&#x26;emc=rss">
<title>Arts, Briefly: Another Blast From &#x2018;Tropic Thunder&#x2019;</title>
<link>http://www.nytimes.com/2008/09/01/movies/01arts-ANOTHERBLAST_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The summer movie season came to an end with another big week for “Tropic Thunder.”    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/09/01/movies/01arts-ANNIVERSARYF_BRF.html?partner=rssnyt&#x26;emc=rss">
<title>Arts, Briefly: Anniversary for Slamdance</title>
<link>http://www.nytimes.com/2008/09/01/movies/01arts-ANNIVERSARYF_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Slamdance Film Festival will celebrate its 15th anniversary with a series of events.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/09/01/movies/01arts-DANNYBOYLEFI_BRF.html?partner=rssnyt&#x26;emc=rss">
<title>Arts, Briefly: Danny Boyle Film Switches Distributors</title>
<link>http://www.nytimes.com/2008/09/01/movies/01arts-DANNYBOYLEFI_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In an unusual move, Fox Searchlight Pictures and Warner Brothers Pictures Group are coming together to release the next movie from Danny Boyle.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/08/31/movies/31klaw.html?partner=rssnyt&#x26;emc=rss">
<title>The Resurrection of a Renegade&#x2019;s Scotch-Tape Films</title>
<link>http://www.nytimes.com/2008/08/31/movies/31klaw.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Anthology Film Archives in the East Village has rescued and preserved some of the director Robert Downey’s riotous and endangered early works.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/08/31/fashion/31nite.html?partner=rssnyt&#x26;emc=rss">
<title>A Night Out With | Elisabeth Shue: Adventures in Acting</title>
<link>http://www.nytimes.com/2008/08/31/fashion/31nite.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hanging out with Elisabeth Shue, who tries to explain her new film “Hamlet 2.”    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/08/31/nyregion/thecity/31pari.html?partner=rssnyt&#x26;emc=rss">
<title>New York Observed: On 58th Street, the Keeper of the Flame</title>
<link>http://www.nytimes.com/2008/08/31/nyregion/thecity/31pari.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Paris Theater, one of the city’s most venerable art houses, is what people of a certain age once referred to as “a classy joint.” In many respects, it still is.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/08/30/movies/30watc.html?partner=rssnyt&#x26;emc=rss">
<title>Studio War Involving &#x2018;Watchmen&#x2019; Heats Up</title>
<link>http://www.nytimes.com/2008/08/30/movies/30watc.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The legal brawl continues between lawyers for Warner Brothers and lawyers for 20th Century Fox over the rights to “Watchmen.”    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/08/28/movies/28fest.html?partner=rssnyt&#x26;emc=rss">
<title>New Goal for Films at Toronto: To Be Seen</title>
<link>http://www.nytimes.com/2008/08/28/movies/28fest.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In the past the Toronto International Film Festival helped to set up Hollywood’s awards season. This year it may be more about solving the industry’s problems.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/08/29/movies/29djan.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Sukiyaki Western Django&#x27;: Sergio Leone Meets Reservoir Dog in Japanese Pastiche</title>
<link>http://movies.nytimes.com/2008/08/29/movies/29djan.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Sukiyaki Western Django” is a loving and lurid pastiche of the spaghetti westerns that were themselves lurid pastiches of classic Hollywood cowboy pictures.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/08/29/movies/29serv.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;I Served the King of England&#x27;: Hot Dogs to Haute Cuisine, Then Back Down Again</title>
<link>http://movies.nytimes.com/2008/08/29/movies/29serv.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There is hardly a moment in this film in which you are not aware that its absurdist view of the human condition was shaped by traumatic 20th-century events.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/08/27/movies/27trai.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Traitor&#x27;: In a World of Extremists, Shades of Gray Add Ambiguity</title>
<link>http://movies.nytimes.com/2008/08/27/movies/27trai.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Traitor,” a somber, absorbing and only moderately preposterous new thriller written and directed by Jeffrey Nachmanoff, manages an impressive feat of economy.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/08/30/movies/30baby.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Babylon A.D.&#x27;: Savior or Sinner? It Can Be Tough to Tell</title>
<link>http://movies.nytimes.com/2008/08/30/movies/30baby.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The only explicable thing about “Babylon A.D.” is that it was not screened in advance for critics.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/08/30/movies/30disa.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Disaster Movie&#x27;: Chipmunks With Rabies? That Is So L L Not Cool J</title>
<link>http://movies.nytimes.com/2008/08/30/movies/30disa.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Disaster Movie,” the latest disposable parody of disposable Hollywood movies, has a shelf life of about five minutes, tops.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/08/30/movies/30coll.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;College&#x27;: Student Weekend of Raunch and Geek Empowerment</title>
<link>http://movies.nytimes.com/2008/08/30/movies/30coll.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Pity today’s teenage audience. Their latest cinematic temptation is yet another tiresome fraternities-are-wild offering.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/08/29/movies/29fish.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Year of the Fish&#x27;: A Chinatown Fairy Tale</title>
<link>http://movies.nytimes.com/2008/08/29/movies/29fish.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Year of the Fish” updates an ancient Chinese version of the “Cinderella” story with imagination, charm and just the right amount of sweetness.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/08/29/movies/29yous.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Youssou N&#x2019;Dour: Return to Gor&#xE9;e&#x27; and &#x27;Beth&#xE2;nia: Music Is Perfume&#x27;: A Different Drum</title>
<link>http://movies.nytimes.com/2008/08/29/movies/29yous.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The music documentaries “Youssou N’Dour: Return to Gorée” and “Maria Bethânia: Music Is Perfume” are mellow as buttermilk and twice as nutritious.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/08/29/movies/29sequ.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Another Gay Sequel: Gays Gone Wild&#x27;: Gay Again</title>
<link>http://movies.nytimes.com/2008/08/29/movies/29sequ.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There’s nothing generic about “Another Gay Sequel: Gays Gone Wild!” This wretched gaysploitation number is, in fact, the worst gay sequel ever.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/08/29/movies/29shiv.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;My Mexican Shivah&#x27;: Jewish Ritual and Mariachi Bands</title>
<link>http://movies.nytimes.com/2008/08/29/movies/29shiv.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What raises this uninhibited hybrid above C level is a director, Alejandro Springall, with a flair for the surreal and a cast that knows its way around a stereotype.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/08/29/movies/29wmovies.html?partner=rssnyt&#x26;emc=rss">
<title>Film Series and Movie Listings</title>
<link>http://www.nytimes.com/2008/08/29/movies/29wmovies.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Among this weeks film series are a four-pack of John Carpenter, “Mondo Hollywood” and a retrospective of the filmmaker Chris Smith at MoMA.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/17/arts/17dire.html?partner=rssnyt&#x26;emc=rss">
<title>Film Society Chooses Executive Director</title>
<link>http://www.nytimes.com/2008/07/17/arts/17dire.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Mara Manus, the Public Theater’s top financial executive, is taking the helm as the Film Society undergoes a $38 million expansion.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/17/fashion/17ROW.html?partner=rssnyt&#x26;emc=rss">
<title>Front Row: We&#x2019;re Off to See the Ruby Slippers</title>
<link>http://www.nytimes.com/2008/07/17/fashion/17ROW.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Betsey Johnson and 20 other designers are recreating Dorothy’s glittering ruby slippers to commemorate the 70th anniversary of “The Wizard of Oz” next year to benefit the Elizabeth Glaser Pediatric AIDS Foundation.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/16/arts/16arts-CANNESWINNER_BRF.html?partner=rssnyt&#x26;emc=rss">
<title>Arts, Briefly: Cannes Winner to Open New York Film Festival</title>
<link>http://www.nytimes.com/2008/07/16/arts/16arts-CANNESWINNER_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The 46th New York Film Festival will open with the North American premiere of “The Class” (“Entre les Murs”).    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/15/movies/15joffe.html?partner=rssnyt&#x26;emc=rss">
<title>Charles H. Joffe, Movie Producer, Is Dead at 78</title>
<link>http://www.nytimes.com/2008/07/15/movies/15joffe.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Mr. Joffe was a co-producer of Woody Allen’s movies and the business expert in the talent agency that managed the careers of a host of high-profile comedians.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/15/business/15paramount.html?partner=rssnyt&#x26;emc=rss">
<title>Paramount Drops Out of Plan to Raise $450 Million for Films</title>
<link>http://www.nytimes.com/2008/07/15/business/15paramount.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Paramount Pictures said it had pulled out of a planned film finance deal that was meant to raise as much as $450 million.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/01/books/review/Keepnews-t.html?partner=rssnyt&#x26;emc=rss">
<title>Out of Control</title>
<link>http://www.nytimes.com/2008/06/01/books/review/Keepnews-t.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An oral biography of the comedian Chris Farley.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/02/movies/02sex.html?partner=rssnyt&#x26;emc=rss">
<title>&#x2018;Sex and the City&#x2019; Leads Weekend Box Office</title>
<link>http://www.nytimes.com/2008/06/02/movies/02sex.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The film has earned an estimated $55.7 million since Thursday, making it an unconventional summer hit.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/02/us/02universal.html?partner=rssnyt&#x26;emc=rss">
<title>Fire Destroys Parts of a Popular Movie Lot in California</title>
<link>http://www.nytimes.com/2008/06/02/us/02universal.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A fire at NBC Universal’s studio lot in Universal City, Calif., destroyed a vault full of movie and television images and parts of the popular studio tour. At least six firefighters were injured.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/02/business/media/02carr.html?partner=rssnyt&#x26;emc=rss">
<title>The Media Equation: Slumber Parties Go Digital</title>
<link>http://www.nytimes.com/2008/06/02/business/media/02carr.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In the gender wars, men generally win the race to the bottom. This past week though, women were the ones who seemed completely preoccupied by the reproductive act.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/02/business/media/02kavanaugh.html?partner=rssnyt&#x26;emc=rss">
<title>Financier in Hollywood Strikes Deal in D.W.I.</title>
<link>http://www.nytimes.com/2008/06/02/business/media/02kavanaugh.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Ryan Kavanaugh pleaded no contest to, and was convicted of, one count of driving under the influence of alcohol, while more serious charges were dropped.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/01/movies/01mcgr.html?partner=rssnyt&#x26;emc=rss">
<title>Film: That License to Kill Is Unexpired</title>
<link>http://www.nytimes.com/2008/06/01/movies/01mcgr.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Ian Fleming, had he lived, would have celebrated his 100th birthday on Wednesday. James Bond, his greatest invention, is ageless and immortal.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/01/movies/01raff.html?partner=rssnyt&#x26;emc=rss">
<title>Film: Beauty, Brutality and Three Tough Mothers</title>
<link>http://www.nytimes.com/2008/06/01/movies/01raff.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Dario Argento’s latest danse macabre, “Mother of Tears,” starring his daughter Asia, is his usual blend of beauty and brutality.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/01/fashion/01SEX.html?partner=rssnyt&#x26;emc=rss">
<title>Fashion Review: 10 Years Later, Carrie Coordinated</title>
<link>http://www.nytimes.com/2008/06/01/fashion/01SEX.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Fashion has been a regular character defining trait throughout the “Sex and the City” series, and in the film version, the fashion is jaw-droppingly fantastic.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/01/business/media/01pixar.html?partner=rssnyt&#x26;emc=rss">
<title>Disney and Pixar: The Power of the Prenup</title>
<link>http://www.nytimes.com/2008/06/01/business/media/01pixar.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Two years in, the merger of Disney and Pixar is notable for how well the two companies have made it work.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/05/09/movies/09spee.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Speed Racer&#x27;: Gentlemen, Start Your Hot-Hued Engines</title>
<link>http://movies.nytimes.com/2008/05/09/movies/09spee.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Speed Racer” sets out to honor and refresh a youthful enthusiasm from the past and winds up smothering the fun in self-conscious grandiosity.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/05/09/movies/09surf.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Surfwise&#x27;: A Family That Surfs to a Beat: Its Own</title>
<link>http://movies.nytimes.com/2008/05/09/movies/09surf.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Surfwise” has a bohemian vibe and a cool sheen, but it’s an eager-to-please, pleasing commercial enterprise with a reassuring narrative arc.    
]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/05/09/movies/09poul.html?partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;Poultrygeist: Night of the Chicken Dead&#x27;: Going for the Finger-Licking Gusto</title>
<link>http://movies.nytimes.com/2008/05/09/movies/09poul.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Poultrygeist: Night of the Chicken Dead” is just about as perfect as a film predicated on the joys of projectile vomiting and explosive diarrhea can be.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/09/fashion/09nite.html?partner=rssnyt&#x26;emc=rss">
<title>A Night Out With Ellen Page: Just a Girl From Halifax</title>
<link>http://www.nytimes.com/2007/12/09/fashion/09nite.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[While many actresses fantasize about wearing Valentino or Zac Posen on the red carpet, Ellen Page has a completely different idea.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/09/theater/09heal.html?partner=rssnyt&#x26;emc=rss">
<title>A Knack for Being the Bad Boy</title>
<link>http://www.nytimes.com/2007/12/09/theater/09heal.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The British actor Ian McShane opens next week as the patriarch Max in Harold Pinter’s “Homecoming,” a man-monster of diminishing powers and, of course, many vulgarities.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/08/movies/08blac.html?partner=rssnyt&#x26;emc=rss">
<title>Tomorrow&#x2019;s Oscar Hopefuls Today</title>
<link>http://www.nytimes.com/2007/12/08/movies/08blac.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The “Black List” has become the kind of underground document that writers with projects in development pray will mention their script.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/06/movies/awardsseason/06mira.html?partner=rssnyt&#x26;emc=rss">
<title>Under a New Watch, Miramax Still Homes in on Awards</title>
<link>http://www.nytimes.com/2007/12/06/movies/awardsseason/06mira.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Miramax may be a smaller and calmer organization under Daniel Battsek, but the studio has nonetheless remained in the thick of the awards race.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/05/education/05wiley.html?partner=rssnyt&#x26;emc=rss">
<title>For Struggling Black College, Hopes of a Revival</title>
<link>http://www.nytimes.com/2007/12/05/education/05wiley.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Wiley College is suddenly feeling the glow of celebrity with the release of a film about the school’s debating team.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/04/movies/homevideo/04dvd.html?partner=rssnyt&#x26;emc=rss">
<title>Critic&#x2019;s Choice: Respect in a Box: Giving John Ford the Major American Artist Treatment</title>
<link>http://www.nytimes.com/2007/12/04/movies/homevideo/04dvd.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Ford at Fox” is a gargantuan boxed set that assembles 24 of the 50-some films John Ford made for the studio that was his most consistent home.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/03/movies/03kite.html?partner=rssnyt&#x26;emc=rss">
<title>&#x2018;Kite Runner&#x2019; Boys Are Sent to United Arab Emirates</title>
<link>http://www.nytimes.com/2007/12/03/movies/03kite.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[After months of worrying and diplomatic wrangling, the movie studio that is releasing “The Kite Runner” has whisked to safety four young actors.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/02/movies/02carr.html?partner=rssnyt&#x26;emc=rss">
<title>Off the Stripper Pole and Into the Movies</title>
<link>http://www.nytimes.com/2007/12/02/movies/02carr.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[She no longer dances naked, but the first-time screenwriter Diablo Cody is still exposing herself.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/02/movies/02ande.html?partner=rssnyt&#x26;emc=rss">
<title>Down South, Singing the Indie Blues</title>
<link>http://www.nytimes.com/2007/12/02/movies/02ande.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Twenty-seven years and 16 features after they began their mutual career, John Sayles and Maggie Renzi are still making movies.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/02/world/americas/02mexico.html?partner=rssnyt&#x26;emc=rss">
<title>Film on Mexico&#x2019;s Disputed &#x2019;06 Election Stirs Emotions</title>
<link>http://www.nytimes.com/2007/12/02/world/americas/02mexico.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A documentary about last year’s disputed presidential election has drawn big crowds and generated controversy in Mexico.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/11/29/business/media/30writers.html?partner=rssnyt&#x26;emc=rss">
<title>Striking Screenwriters Dismiss New Proposals</title>
<link>http://www.nytimes.com/2007/11/29/business/media/30writers.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The screenwriters called the proposals from producers a “a massive rollback,” and called on their members to continue their walkout.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/09/movies/redcarpet/09cred.html?ex=1299560400&#x26;en=43f3535b843d9809&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Lawsuit Over Producer Credit for &#x27;Crash&#x27; Gets Personal</title>
<link>http://www.nytimes.com/2006/03/09/movies/redcarpet/09cred.html?ex=1299560400&#x26;en=43f3535b843d9809&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A top executive of the movie academy described one of the producing team behind the best-picture winner, "Crash," as throwing a tantrum in suing over credit for the film.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/07/movies/redcarpet/07osca.html?ex=1299387600&#x26;en=343e955b6b1559c1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: Los Angeles Retains Custody of Oscar</title>
<link>http://www.nytimes.com/2006/03/07/movies/redcarpet/07osca.html?ex=1299387600&#x26;en=343e955b6b1559c1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Los Angeles, a place where race is discussed rarely, saw itself in "Crash," a film where encounter and understanding are just a random fender-bender away. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06osca.html?ex=1299301200&#x26;en=88ae8631b27fa74e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>&#x27;Crash&#x27; Walks Away With the Top Prize at the Oscars</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06osca.html?ex=1299301200&#x26;en=88ae8631b27fa74e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In a stunning twist, the motion picture academy turned its back on "Brokeback Mountain," awarding the Oscar for best picture to "Crash."]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06fash.html?ex=1299301200&#x26;en=74ae98fe6e2c3233&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Fashion Diary: For Designers, an Image-Making Bonanza That Is Priceless</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06fash.html?ex=1299301200&#x26;en=74ae98fe6e2c3233&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[That everything is borrowed and everyone is shilling may be the most charming characteristic of the Academy Awards show. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06watc.html?ex=1299301200&#x26;en=c2aa71db85e6f4b8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The TV Watch: The Dresses, Low Cut, but the Tones Were Lofty</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06watc.html?ex=1299301200&#x26;en=c2aa71db85e6f4b8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The message of the Academy Awards show was a self-congratulatory one from Hollywood to itself: we care, we dare. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06diar.html?ex=1299301200&#x26;en=e8986a659820975a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Long March to the Red Carpet, Slow and Painful</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06diar.html?ex=1299301200&#x26;en=e8986a659820975a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An Oscar nominee, Bobby Moresco, co-screenwriter of "Crash," prepares himself in the days leading up to the awards. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/05/movies/redcarpet/05darg.html?ex=1299214800&#x26;en=42e4baaddc9700cb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Hollywood&#x27;s Crowd Control Problem</title>
<link>http://www.nytimes.com/2006/03/05/movies/redcarpet/05darg.html?ex=1299214800&#x26;en=42e4baaddc9700cb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An expected 41 million Americans will tune into the 78th annual Academy Awards to watch a spectacle largely honoring films they have not seen and may never get around to watching. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03pool.html?ex=1299042000&#x26;en=62a4a42cd3c5f533&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>One Last Best Shot at Calling the Oscars</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03pool.html?ex=1299042000&#x26;en=62a4a42cd3c5f533&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The problem with choosing this year's Oscar winners is that the possibilities seem as endless and impenetrable as the 64-team grid that ends in the N.C.A.A. championship. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03face.html?ex=1299042000&#x26;en=3e2712de36d96bdc&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>After an Oscar Nomination, Everybody Loves You (at Least for a While)</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03face.html?ex=1299042000&#x26;en=3e2712de36d96bdc&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Whether an Oscar nominee's newfound recognition in Hollywood will pay off in future, lasting and top-billed work is a crapshoot.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03tv.html?ex=1299042000&#x26;en=f761b65ca30afa9c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Hype-Week Patter as the Oscars Near</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03tv.html?ex=1299042000&#x26;en=f761b65ca30afa9c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood's magical ball is Sunday night, and all week television personalities have been fretting and squealing about it, expecting us to watch in supportive awe, like Cinderella.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/redcarpet/02cras.html?ex=1298955600&#x26;en=0567a889abe84d5e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>&#x27;Crash&#x27; Producers Clash Loudly Over Credit and Payment</title>
<link>http://www.nytimes.com/2006/03/02/movies/redcarpet/02cras.html?ex=1298955600&#x26;en=0567a889abe84d5e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A bare-knuckled fight has broken out among the producers of one of the leading Oscar-nominated movies, "Crash," over two of the things Hollywood cares about most: money and credit.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/02heff.html?ex=1298955600&#x26;en=19d37e30bbf676f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Brokeback Spoofs: Tough Guys Unmasked</title>
<link>http://www.nytimes.com/2006/03/02/movies/02heff.html?ex=1298955600&#x26;en=19d37e30bbf676f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Online parodies of "Brokeback Mountain" are proliferating faster than curatorial Web sites can keep up with them. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/garden/02fisher.html?ex=1298955600&#x26;en=3e867f2cf40c59e3&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>If You&#x27;ve Got It, Do You Flaunt It?</title>
<link>http://www.nytimes.com/2006/03/02/garden/02fisher.html?ex=1298955600&#x26;en=3e867f2cf40c59e3&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What you do with your Oscar, and where it goes in your house, seems to depend largely on where you are in your life.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/redcarpet/02teas.html?ex=1298955600&#x26;en=a9609415ddef7d02&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: For Your Consideration: Sappy Hallmark Moments</title>
<link>http://www.nytimes.com/2006/03/02/movies/redcarpet/02teas.html?ex=1298955600&#x26;en=a9609415ddef7d02&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The annual Oscar trailer is completely at odds with the idea that Jon Stewart and a crop of untraditional movies might lead to a newer, fresher Oscar show. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/01/education/01education.html?ex=1298869200&#x26;en=95d46192b386947b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>On Education: School Drama Coach Owns a Little Bit of Oscar Night</title>
<link>http://www.nytimes.com/2006/03/01/education/01education.html?ex=1298869200&#x26;en=95d46192b386947b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[John Fredricksen taught the director of "Capote," Bennett Miller, and the film's screenwriter, Dan Futterman, in Mamaroneck, N.Y., in 1984.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/28/movies/redcarpet/28wadler.html?ex=1298782800&#x26;en=fbdde6aa6a5d7f17&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Jon Stewart and the Night Visitor</title>
<link>http://www.nytimes.com/2006/02/28/movies/redcarpet/28wadler.html?ex=1298782800&#x26;en=fbdde6aa6a5d7f17&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It is 3 a.m. and Jon Stewart is anxious. He mutters somthing that sounds like "Stupid, Stupid, Stupid." Than he takes a long swig from a bottle of Stoli.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/27/business/media/27carr.html?ex=1298696400&#x26;en=d78eb92378113a83&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>David Carr: The Big Man Still Reigns in Hollywood</title>
<link>http://www.nytimes.com/2006/02/27/business/media/27carr.html?ex=1298696400&#x26;en=d78eb92378113a83&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[If you drill down into this year's best picture nominees, you will find that they are guerrilla insurgencies backed by superpowers.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/27/business/media/27adcol.html?ex=1298696400&#x26;en=e79431d7fc61cc06&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Advertising: Huge Audience or Not, Oscars Stand Apart</title>
<link>http://www.nytimes.com/2006/02/27/business/media/27adcol.html?ex=1298696400&#x26;en=e79431d7fc61cc06&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[This year's crop of nominations has some advertisers worried about the Oscar-night audience.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/26/fashion/sundaystyles/26oscar.html?ex=1298610000&#x26;en=7e37a53d719136ef&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Tribal Customs of Oscar</title>
<link>http://www.nytimes.com/2006/02/26/fashion/sundaystyles/26oscar.html?ex=1298610000&#x26;en=7e37a53d719136ef&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Unlike typical cocktail soirees, Oscar weekend parties have rules of behavior that fly in the face of conventional manners.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/26/movies/redcarpet/26solo.html?ex=1298610000&#x26;en=69e0f6d7a7333d74&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Careful, These Cartoons Pack a Punch</title>
<link>http://www.nytimes.com/2006/02/26/movies/redcarpet/26solo.html?ex=1298610000&#x26;en=69e0f6d7a7333d74&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In what some animators have complained is less than a vintage year for the Oscars animated short films category, John Canemaker's "Moon and the Son" stands out for its ambition. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/26/movies/26handelman.html?ex=1298610000&#x26;en=8b4c42f7f03eda29&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Directions: What She&#x27;d Really Like to Do Is Sing</title>
<link>http://www.nytimes.com/2006/02/26/movies/26handelman.html?ex=1298610000&#x26;en=8b4c42f7f03eda29&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Kathleen York, an actor-singer-songwriter, gets her close-up at the Academy Awards, where she will perform a song from "Crash."]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/24/movies/24shor.html?ex=1298437200&#x26;en=da605b6a642f4f71&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;The 2005 Academy Award-Nominated Short Films&#x27;: Good Things in Small Packages</title>
<link>http://www.nytimes.com/2006/02/24/movies/24shor.html?ex=1298437200&#x26;en=da605b6a642f4f71&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Oscar hoopla focuses on feature-length films, but some excellent, largely unseen work is also in competition in the short form. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/22/movies/redcarpet/22tease.html?ex=1298264400&#x26;en=1b94387d00565606&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: The Murderous Seductress Is Back</title>
<link>http://www.nytimes.com/2006/02/22/movies/redcarpet/22tease.html?ex=1298264400&#x26;en=1b94387d00565606&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Maybe the "Basic Instinct 2" trailer is trying to be serious and campy at once, but it only succeeds in being frustrating.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/21/movies/redcarpet/21wadler.html?ex=1298178000&#x26;en=990f29ffd67a96f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Penguins Gone Wild</title>
<link>http://www.nytimes.com/2006/02/21/movies/redcarpet/21wadler.html?ex=1298178000&#x26;en=990f29ffd67a96f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What happens when Inspector Jacques Clouseau travels to the frozen Antarctic to observe the long, noble march of the Penguins?]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/20/movies/MoviesFeatures/20osca.html?ex=1298091600&#x26;en=5394e5f6968e5e87&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>A First-Time Oscar Host in Search of That Fine Line</title>
<link>http://www.nytimes.com/2006/02/20/movies/MoviesFeatures/20osca.html?ex=1298091600&#x26;en=5394e5f6968e5e87&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Jon Stewart has, at least for one night, signed on to transform himself from Hollywood outsider to A-list insider.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/19/movies/redcarpet/19raff.html?ex=1298005200&#x26;en=777034091edb6bcb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Robert Altman&#x27;s Long Goodbye</title>
<link>http://www.nytimes.com/2006/02/19/movies/redcarpet/19raff.html?ex=1298005200&#x26;en=777034091edb6bcb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood has never known quite what to make of Robert Altman, but he's finally getting an Oscar anyway.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/17/movies/redcarpet/17fore.html?ex=1297832400&#x26;en=d3532c5b6dc68e9b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Five Oscar Nominees: Foreign, Not Alien</title>
<link>http://www.nytimes.com/2006/02/17/movies/redcarpet/17fore.html?ex=1297832400&#x26;en=d3532c5b6dc68e9b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In this year of politically themed best-picture contenders like "Munich" and "Good Night, and Good Luck," the foreign films have a similar urgency.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/15/movies/redcarpet/15bags.html?ex=1297659600&#x26;en=12006c57c967432a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Celebrity Freebies: A Force Irresistible?</title>
<link>http://www.nytimes.com/2006/02/15/movies/redcarpet/15bags.html?ex=1297659600&#x26;en=12006c57c967432a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In this Hollywood awards season, the piles of free stuff being handed to celebrities  nominees, award presenters, performers and members of their entourages  is escalating.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/15/movies/redcarpet/15tease.html?ex=1297659600&#x26;en=324b2136b7293113&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: From Russia, With All Kinds of Weird Stuff</title>
<link>http://www.nytimes.com/2006/02/15/movies/redcarpet/15tease.html?ex=1297659600&#x26;en=324b2136b7293113&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There are two visually striking, complementary ways of previewing the Russian-language vampire-and-apocalypse movie "Night Watch." ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/12/movies/redcarpet/12rothman.html?ex=1297400400&#x26;en=2735cd1bee3a1e53&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>I&#x27;d Really Like to Thank My Pal at the Auction House</title>
<link>http://www.nytimes.com/2006/02/12/movies/redcarpet/12rothman.html?ex=1297400400&#x26;en=2735cd1bee3a1e53&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The trade in vintage Oscars through publicized auctions and an underground market has become a parallel universe as competitive and bitter as the annual acting derby itself.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/10/movies/redcarpet/10tease.html?ex=1297227600&#x26;en=088897ad90b090c0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: The Tin Men of Hollywood</title>
<link>http://www.nytimes.com/2006/02/10/movies/redcarpet/10tease.html?ex=1297227600&#x26;en=088897ad90b090c0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Freedomland" spots are all over television now, and they're far more effective than the two-and-a-half-minute trailer that is online and in theaters. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/07/movies/redcarpet/07wadler.html?ex=1296968400&#x26;en=7d63194c06024d91&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: &#x27;Tis Pity He&#x27;s a Pimp</title>
<link>http://www.nytimes.com/2006/02/07/movies/redcarpet/07wadler.html?ex=1296968400&#x26;en=7d63194c06024d91&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[For those who disdain hip-hop, here's a tale of pimps and ho's dating back to the time of Shakespeare and suitable for the most discerning viewer.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/06/movies/redcarpet/dargis_qa.html?ex=1296882000&#x26;en=03efa76aba217fff&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Questions for . . . : Manohla Dargis</title>
<link>http://www.nytimes.com/2006/02/06/movies/redcarpet/dargis_qa.html?ex=1296882000&#x26;en=03efa76aba217fff&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Manohla Dargis, a chief film critic for The Times, answered readers' questions about the Academy Awards. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/03/movies/redcarpet/02tease.html?ex=1296622800&#x26;en=6adb02ab25539033&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: Films From All Over</title>
<link>http://www.nytimes.com/2006/02/03/movies/redcarpet/02tease.html?ex=1296622800&#x26;en=6adb02ab25539033&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Based on their trailers, the nominees for Best Foreign Film seem to share the political awareness that also characterizes the major Oscar films this awards season. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01wadler.html?ex=1296450000&#x26;en=d4aa096b9bd14431&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Looking for Comedy in the New World</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01wadler.html?ex=1296450000&#x26;en=d4aa096b9bd14431&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[King James I has sent Albert Brooks-Whining to the New World to find out what makes the Indians laugh, but mostly to get him out of England.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01osca.html?ex=1296450000&#x26;en=eaa530a2d82a8144&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Small Films With Potent Themes Lead Oscar Nominations</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01osca.html?ex=1296450000&#x26;en=eaa530a2d82a8144&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With size counting less than serious intent, Oscar nominations went to small films with deep political and social themes.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01bagg.html?ex=1296450000&#x26;en=60785b3b6497b856&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: Nominations Highlight the Sticky Issue of Credit</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01bagg.html?ex=1296450000&#x26;en=60785b3b6497b856&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The ad-hoc nature of moviemaking on the margins can lead to some hurt feelings when Oscar nominations are announced. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/29/movies/redcarpet/29ande.html?ex=1296190800&#x26;en=6ef335fac255dae1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>And the Documentary Nominees Aren&#x27;t . . .</title>
<link>http://www.nytimes.com/2006/01/29/movies/redcarpet/29ande.html?ex=1296190800&#x26;en=6ef335fac255dae1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Some great documentaries are ineligible for Oscars. Why? It's all in the fine print. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/26/movies/redcarpet/26tease.html?ex=1295931600&#x26;en=7b512bc40ca15543&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: It&#x27;s D&#xE9;j&#xE0; Vu All Over Again</title>
<link>http://www.nytimes.com/2006/01/26/movies/redcarpet/26tease.html?ex=1295931600&#x26;en=7b512bc40ca15543&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[All you can think watching the trailer for "Firewall" is that Harrison Ford should probably give up the ghost of his Tom Clancy roles.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/24/movies/redcarpet/24wadler.html?ex=1295758800&#x26;en=8f51421f30e5bc73&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Clich&#xE9; (Guilty White Bourgeoisie in Denial)</title>
<link>http://www.nytimes.com/2006/01/24/movies/redcarpet/24wadler.html?ex=1295758800&#x26;en=8f51421f30e5bc73&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Underfinanced Production Company's first foreign film has audiences all over downtown scratching their heads in puzzlement.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/22/movies/redcarpet/22globe.html?ex=1295586000&#x26;en=6e2c48c91a7e1bac&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Directions: Diplomacy on The Globes&#x27; Stage</title>
<link>http://www.nytimes.com/2006/01/22/movies/redcarpet/22globe.html?ex=1295586000&#x26;en=6e2c48c91a7e1bac&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In a surprise move, the Golden Globes credited the best foreign language film to Palestine. A representative explains the decision to an editor.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/18/movies/redcarpet/18wadler.html?ex=1295240400&#x26;en=20228d2b81e5c68a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: TransSylvania</title>
<link>http://www.nytimes.com/2006/01/18/movies/redcarpet/18wadler.html?ex=1295240400&#x26;en=20228d2b81e5c68a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[So definitively is this the year of gender malcontent in the cinema that one of its biggest stars has decided to come out of the coffin. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/18/movies/redcarpet/18glob.html?ex=1295240400&#x26;en=1ec503bea952987c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: In Movies, Big Issues, for Now</title>
<link>http://www.nytimes.com/2006/01/18/movies/redcarpet/18glob.html?ex=1295240400&#x26;en=1ec503bea952987c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With the year's string of weighty contenders at the Golden Globes, the industry seems to be suffering from a persistent bout of heavy thought.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17glob.html?ex=1295154000&#x26;en=96f04f77af43c3f4&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>At the Globes, &#x27;Brokeback Mountain&#x27; Takes Top Awards</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17glob.html?ex=1295154000&#x26;en=96f04f77af43c3f4&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Brokeback Mountain," a groundbreaking film about a love affair between two cowboys, took top awards at the 63rd Golden Globes. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17watc.html?ex=1295154000&#x26;en=7c910c2b45774142&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The TV Watch: Where the Mood Is Spontaneous, and a Little Serious</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17watc.html?ex=1295154000&#x26;en=7c910c2b45774142&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Golden Globes are a pass-fail version of the Oscars  a Hollywood awards ceremony that vaguely indicates merit, without any real risk of humiliation. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17Fash.html?ex=1295154000&#x26;en=e03979cb202cd242&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Fashion: The Temperature, Wind and Red Carpet Vagaries</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17Fash.html?ex=1295154000&#x26;en=e03979cb202cd242&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There were probably some last-minute agonies as actresses got ready for the red-carpet gauntlet at the Golden Globes. But for the most part, the women looked elegant.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15darg.html?ex=1294981200&#x26;en=cab347a48feba77b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: Dark Truths of a Killing Love</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15darg.html?ex=1294981200&#x26;en=cab347a48feba77b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In "A History of Violence" David Cronenberg has brilliantly complicated the divide between sex and violence, presenting these two seemingly separate realms as locked in hungry embrace.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15scot.html?ex=1294981200&#x26;en=736973c69c12678f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: How to Succeed in Business</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15scot.html?ex=1294981200&#x26;en=736973c69c12678f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Stephen Gaghan's "Syriana" is a movie full of quiet, enigmatic performances, but none is more intriguingly underplayed than Jeffrey Wright's.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15hold.html?ex=1294981200&#x26;en=1db44a23480db8b9&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: Nine Short Scenes of Women in Crisis</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15hold.html?ex=1294981200&#x26;en=1db44a23480db8b9&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[One brief scene in "Nine Lives" conveys more about its characters' inner lives than is revealed in most feature-length movies.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15edel.html?ex=1294981200&#x26;en=95209189603f47d8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Pervert, Vampire, Lout. Perfectly Nice Guy, Though.</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15edel.html?ex=1294981200&#x26;en=95209189603f47d8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Watching Philip Seymour Hoffman embody Truman Capote in "Capote," you want to throw every acting award there is at him and maybe a couple of Olympic medals, too.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15stev.html?ex=1294981200&#x26;en=8c9c67f8eea23f51&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Claire Danes Gets Her So-Called Shot</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15stev.html?ex=1294981200&#x26;en=8c9c67f8eea23f51&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Shopgirl" may put Claire Danes's intriguing face front and center at the Oscars. It's a role she was raised to play.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15burl.html?ex=1294981200&#x26;en=d875f617ff6e69da&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Why Stop at 43 Nominations?</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15burl.html?ex=1294981200&#x26;en=d875f617ff6e69da&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[John Williams is already the most widely admired musician in Hollywood. He may soon be the most celebrated.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15solo.html?ex=1294981200&#x26;en=2481f022cb5e44e5&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Cartoons Have Their John Henry Moment</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15solo.html?ex=1294981200&#x26;en=2481f022cb5e44e5&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood executives keep insisting that Americans want to watch only computer animation. But the likely candidates for the Oscar for best animated feature defy this assumption.]]></description>
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<title>When the Smartest in the Class Isn&#x27;t Most Likely to Succeed</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15jame.html?ex=1294981200&#x26;en=eb9e36b833b4cf32&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It has been a cerebral season at the movies, but when it comes to Oscars, hearts almost always trump minds. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Stranger Than Fiction; No Stranger to Awards</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Eighteeen movies inspired by true stories may vie this year for Oscar nominations  19, if you're a Red Sox fan and want to count "Fever Pitch." ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>For Those Who&#x27;ve Tired of Glory and Riches</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It was a surprisingly busy year for actors-turned-screenwriters.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Cruising on the Road to the Oscars. Or Missing the Exit.</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Some movies come out and steer right onto the fast track to the Academy Awards. Others take a wrong turn.]]></description>
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