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<dc:date>2009-12-16T13:32+27:00
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<item rdf:about="http://www.nytimes.com/2008/04/03/movies/03crui.html?ex=1364875200&#x26;en=1caba1e201cb8ff7&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Tom Cruise, in Bit Role, Nips Studio&#x2019;s Top Gun</title>
<link>http://www.nytimes.com/2008/04/03/movies/03crui.html?ex=1364875200&#x26;en=1caba1e201cb8ff7&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[At an industry screening of the forthcoming comedy “Tropic Thunder,” Tom Cruise brought down the house with his portrayal of a dirty-dancing movie mogul.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/03/28/movies/w28movies.html?ex=1364356800&#x26;en=915b9b71292386b0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Movie Guide and Film Series</title>
<link>http://www.nytimes.com/2008/03/28/movies/w28movies.html?ex=1364356800&#x26;en=915b9b71292386b0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[MOVIES.]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=7a2f25ef83b9006f7b80b5270aada12a">
<title>Movie Review | &#x27;Crazy Heart&#x27;: A Country Crooner Whose Flight Is Now Free Fall</title>
<link>http://feeds.nytimes.com/click.phdo?i=7a2f25ef83b9006f7b80b5270aada12a</link>
<description><![CDATA[“Crazy Heart,” written and directed by Scott Cooper, is a small movie perfectly scaled to the big performance at its center.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=267b6f3a8b7e7a59113528b37063077b">
<title>&#x2018;Up in the Air&#x2019; Nominated for 6 Golden Globes</title>
<link>http://feeds.nytimes.com/click.phdo?i=267b6f3a8b7e7a59113528b37063077b</link>
<description><![CDATA[“Nine,” “Avatar” and “Inglorious Basterds” round out nomination leaders, while Meryl Streep gets to compete against herself.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=a7e9a36e7b8068941cc082c6c2f8120b">
<title>Second City Looks Back in Laughter</title>
<link>http://feeds.nytimes.com/click.phdo?i=a7e9a36e7b8068941cc082c6c2f8120b</link>
<description><![CDATA[Second City, the improvisational troupe that changed the tone of comedy, commemorated its 50th anniversary with shows, parties and panel discussions.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=82baa7baf2a0c44e1dc7c5722b0ace2d">
<title>Val Avery, Tough-Guy Actor in Movies, Is Dead at 85</title>
<link>http://feeds.nytimes.com/click.phdo?i=82baa7baf2a0c44e1dc7c5722b0ace2d</link>
<description><![CDATA[Mr. Avery was an actor who worked for nearly 50 years playing tough guys on both sides of the law in dozens of television series and films.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=2176cf89b523fe79baaaf982b3234326">
<title>Paramount to Start Online Service to Sell Movie Clips</title>
<link>http://feeds.nytimes.com/click.phdo?i=2176cf89b523fe79baaaf982b3234326</link>
<description><![CDATA[The studio plans to eventually sell snippets of films cheaply, like ring tones, although a license to use that snippet in a national ad campaign will not be cheap.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=52f6ef31a5faabccd9b59950bcbdbb5e">
<title>Movie Director Exploring the Family, Not Killing It</title>
<link>http://feeds.nytimes.com/click.phdo?i=52f6ef31a5faabccd9b59950bcbdbb5e</link>
<description><![CDATA[The prolific French filmmaker François Ozon, whose magic-realist fable “Ricky” opens this week, clearly prizes not just speed but also variety.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=e0b6b1898521c366faeb3b0b28f7a093">
<title>ArtsBeat: Al Pacino, Barry Levinson and Buck Henry Team Up on a Roth Tale</title>
<link>http://feeds.nytimes.com/click.phdo?i=e0b6b1898521c366faeb3b0b28f7a093</link>
<description><![CDATA[Three Hollywood legends are working to bring Philip Roth’s most recent novel to the multiplex.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=b859b1a51c104f382c6ac998bc73d04c">
<title>Disney&#x2019;s &#x2018;Princess&#x2019; Displays Limited Box Office Magic</title>
<link>http://feeds.nytimes.com/click.phdo?i=b859b1a51c104f382c6ac998bc73d04c</link>
<description><![CDATA[“The Princess and the Frog” opened in first place but on the low end of industry expectations.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=6e97a1b77cbffb517767f1debf1de676">
<title>Paramount Pictures Finds Long-Sought Balance</title>
<link>http://feeds.nytimes.com/click.phdo?i=6e97a1b77cbffb517767f1debf1de676</link>
<description><![CDATA[After cutting back the number of pictures it makes and concentrating on some blockbuster franchises, Paramount, led by Brad Grey, is where it wants to be.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=aaa73bc3a8857fce866494a24bde4fc1">
<title>Film: Not Quite a Royal, but Still in Need of Those Royalties</title>
<link>http://feeds.nytimes.com/click.phdo?i=aaa73bc3a8857fce866494a24bde4fc1</link>
<description><![CDATA[Sarah Ferguson, the Duchess of York, shines the spotlight on a new film, “The Young Victoria.”


]]></description>
</item>

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<title>Film: Alternate World, Alternate Technology</title>
<link>http://feeds.nytimes.com/click.phdo?i=bd0b46e4354a27db2a351e64308148f7</link>
<description><![CDATA[Will the technology in “Avatar” redefine how movies are made? It’s a $230 million question.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=d39c3887337012ed32b60c65cbbe3676">
<title>Women in the Seats but Not Behind the Camera</title>
<link>http://feeds.nytimes.com/click.phdo?i=d39c3887337012ed32b60c65cbbe3676</link>
<description><![CDATA[In 2009 women came out in droves for movies made by and/or for them. Was there a similar increase in female directors? Not by a long shot.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=cc058df1a811a23ddfb967e0a4db5312">
<title>Film: Seeking Harmony With the Gods of Cinema</title>
<link>http://feeds.nytimes.com/click.phdo?i=cc058df1a811a23ddfb967e0a4db5312</link>
<description><![CDATA[The filmmaker brings “The Imaginarium of Dr. Parnassus” to the big screen, his first wholly original project since “Time Bandits.”


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=d4dc99b9e8ad82ca52af22fb0ce6199a">
<title>Film: Getting to &#x2018;Nine&#x2019; by the Italian Route</title>
<link>http://feeds.nytimes.com/click.phdo?i=d4dc99b9e8ad82ca52af22fb0ce6199a</link>
<description><![CDATA[Shooting the film version of the musical “Nine” gave the cast and crew a chance to live out fantasies of the Dolce Vita era.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=69f8da86e70c547d7e7b65798af7f6bf">
<title>Dvds: All-American Soviet Heroine</title>
<link>http://feeds.nytimes.com/click.phdo?i=69f8da86e70c547d7e7b65798af7f6bf</link>
<description><![CDATA[New this week is “Miss Mend,” a wild pastiche of American adventure serials directed by Fedor Ozep and Boris Barnet.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=807427be455c4aa40f35340ed3219c62">
<title>Music: Serious Music? He Loves It. No, Seriously.</title>
<link>http://feeds.nytimes.com/click.phdo?i=807427be455c4aa40f35340ed3219c62</link>
<description><![CDATA[As the New York Philharmonic’s radio announcer, Alec Baldwin is taking on the role of pitchman for high art.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=ccde5a710b5c06cbca17132c4618b10e">
<title>Success of &#x2018;Precious&#x2019; Highlights an Absence</title>
<link>http://feeds.nytimes.com/click.phdo?i=ccde5a710b5c06cbca17132c4618b10e</link>
<description><![CDATA[In 81 years, some 460 movies have been nominated for the best picture Oscar. This time, one by a black filmmaker may finally join the club.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=e0b22a74f83e630bd9ed2622675ba5d2">
<title>Paul Naschy, Spain&#x2019;s High Priest of Horror Movies, Dies at 75</title>
<link>http://feeds.nytimes.com/click.phdo?i=e0b22a74f83e630bd9ed2622675ba5d2</link>
<description><![CDATA[Mr. Naschy was an actor, director and screenwriter widely acknowledged as the dean of Spanish horror films.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=e7a56543e955162fd5ef67249850eca4">
<title>Movie Review | &#x27;A Town Called Panic&#x27;: Building a New World and Populating It With Plastic</title>
<link>http://feeds.nytimes.com/click.phdo?i=e7a56543e955162fd5ef67249850eca4</link>
<description><![CDATA[“A Town Called Panic” is an adventure story as fast-paced and exciting as any currently in theaters.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=d3cefb92b1827162180a097093495f72">
<title>Movie Review | &#x27;Ricky&#x27;: Imagine Childproofing for a Winged Baby</title>
<link>http://feeds.nytimes.com/click.phdo?i=d3cefb92b1827162180a097093495f72</link>
<description><![CDATA[As François Ozon’s “Ricky” rubs its genres together, it creates a sense of discomfort.


]]></description>
</item>

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<title>Movie Review | &#x27;Under the Eightball&#x27;: On the Nightmare Trail of Lyme Disease</title>
<link>http://feeds.nytimes.com/click.phdo?i=0cc2e83ce0d7f83fe26b2a1b3412a91c</link>
<description><![CDATA[“Under the Eightball” is a heartfelt documentary that twists an emotional journey into an anti-establishment tirade.


]]></description>
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<item rdf:about="http://feeds.nytimes.com/click.phdo?i=a0fb5d813f8644ed6c7af9d27cb012da">
<title>Movie Review | &#x27;Rocket Singh: Salesman of the Year&#x27;: High Road in Business? He Takes It</title>
<link>http://feeds.nytimes.com/click.phdo?i=a0fb5d813f8644ed6c7af9d27cb012da</link>
<description><![CDATA[Ranbir Kapoor turns in a skillfully understated performance in “Rocket Singh: Salesman of the Year.”


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=b770845c9d7534494ed7f019a61a6374">
<title>Movie Review | &#x27;Larger Than Life in 3D&#x27;: Three Bands, Three Concerts, One Film (but No Beer)</title>
<link>http://feeds.nytimes.com/click.phdo?i=b770845c9d7534494ed7f019a61a6374</link>
<description><![CDATA[Fans of the groups involved in this concert film, especially Dave Matthews acolytes, will almost certainly enjoy it.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=c8f5f38a90c3474e2a915f77830edf64">
<title>Movie Review | &#x27;Invictus&#x27;: Final Score: Future 1, Past 0</title>
<link>http://feeds.nytimes.com/click.phdo?i=c8f5f38a90c3474e2a915f77830edf64</link>
<description><![CDATA[Clint Eastwood’s “Invictus,” a rousing true story of athletic triumph, is also that director’s latest exploration of revenge, the defining theme of his career.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=cd2f6328e83e221062485fe52cf07edc">
<title>Movie Review | &#x27;A Single Man&#x27;: A Love That Speaks Its Name: A College Professor&#x2019;s Fateful Day</title>
<link>http://feeds.nytimes.com/click.phdo?i=cd2f6328e83e221062485fe52cf07edc</link>
<description><![CDATA[Colin Firth wears the face of grief in Tom Ford’s directorial debut, “A Single Man.”


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=430a149538634f4a219c4d1c0eff05fe">
<title>Movie Review | &#x27;The Lovely Bones&#x27;: Gazing Down, From a Suburb of Heaven, at an Earthly Purgatory</title>
<link>http://feeds.nytimes.com/click.phdo?i=430a149538634f4a219c4d1c0eff05fe</link>
<description><![CDATA[A victim obsessed with the lives that go on without her is at the center of “The Lovely Bones.”


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=8f2dd3e90986298ac4925fd874f06f5e">
<title>Movie Review | &#x27;My Son, My Son, What Have Ye Done&#x27;: A Saber for Mother, and Ostriches for All</title>
<link>http://feeds.nytimes.com/click.phdo?i=8f2dd3e90986298ac4925fd874f06f5e</link>
<description><![CDATA[While watching Werner Herzog’s “My Son, My Son, What Have Ye Done” you might be tempted to murmur, “My Werner, My Werner, What Have Ye Done.”


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=f0fc4515d8d877e60553eb9706b4c1a5">
<title>Movie Review | &#x27;Hannah Free&#x27;: Even at Death&#x2019;s Door, a Lesbian Couple Still Find Peace Elusive</title>
<link>http://feeds.nytimes.com/click.phdo?i=f0fc4515d8d877e60553eb9706b4c1a5</link>
<description><![CDATA[“Hannah Free” is a tear-jerker about longtime lesbian lovers languishing in the same Michigan nursing home.


]]></description>
</item>

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<title>Movie Review | &#x27;The Slammin&#x2019; Salmon&#x27;: A Restaurant in Full Hustle on a Make-or-Break Night</title>
<link>http://feeds.nytimes.com/click.phdo?i=77886789c9647122d976c7fba5ee3f5c</link>
<description><![CDATA[“The Slammin’ Salmon” takes the premise of “Big Night,” one of the most sublime restaurant movies ever made, and tries to adapt it for the gross-out set.


]]></description>
</item>

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<title>Movie Review | &#x27;Tenderness&#x27;: The Young and the Not So Innocent, Swooning Over a Homicidal Fella</title>
<link>http://feeds.nytimes.com/click.phdo?i=da0011e79b58f7c2a4e3aea5d4ca4c5d</link>
<description><![CDATA[“Tenderness” is an odd, frustrating hybrid of serial-killer suspense film and moody character study of disturbed teenagers.


]]></description>
</item>

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<title>Movie Review | &#x27;The Princess and the Frog&#x27;: That Old Bayou Magic: Kiss and Ribbit (and Sing)</title>
<link>http://feeds.nytimes.com/click.phdo?i=ded710ef5a48e2acbef016e3cdd6428a</link>
<description><![CDATA[It’s not easy being green. But to judge from how this hand-drawn movie addresses, or rather strenuously avoids, race, it is a lot more difficult to be black.


]]></description>
</item>

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<title>Movie Review | &#x27;Sincerely Yours&#x27;: Subsisting on Cellphones and Hope</title>
<link>http://feeds.nytimes.com/click.phdo?i=7eb32d35b90f6e6bf75833d51498a4dd</link>
<description><![CDATA[“Sincerely Yours” conveys a mood of urban desolation in an impersonal universe.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=53aba9d35dd55069e2f046e3e438bb09">
<title>Movie Review | &#x27;Up in the Air&#x27;: Neither Here Nor There</title>
<link>http://feeds.nytimes.com/click.phdo?i=53aba9d35dd55069e2f046e3e438bb09</link>
<description><![CDATA[One of the pleasures of “Up in the Air” is that its actresses share the frame with George Clooney as equals, not props.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=3a59058f285765c46cebf537ba83eb39">
<title>Movie Review | &#x27;Brothers&#x27;: A War Abroad Ignites a Battle at Home</title>
<link>http://feeds.nytimes.com/click.phdo?i=3a59058f285765c46cebf537ba83eb39</link>
<description><![CDATA[“Brothers” is in some ways less a movie about war than a movie that uses war as a scaffolding for domestic melodrama.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=5c4dc41eae9e63c75ff49d429be0b397">
<title>Film Series and Movie Listings</title>
<link>http://feeds.nytimes.com/click.phdo?i=5c4dc41eae9e63c75ff49d429be0b397</link>
<description><![CDATA[MOVIES.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=1710eb8baad1e8ee92245e4d3c16c0a8">
<title>California Justices Hear Arguments in Polanski Case</title>
<link>http://feeds.nytimes.com/click.phdo?i=1710eb8baad1e8ee92245e4d3c16c0a8</link>
<description><![CDATA[The legal brawl over the fate of Roman Polanski moved to California on Thursday.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=b8cf40a4edd2461d2a834139f4f977fb">
<title>Bigger Screen for a High-Pitched Whine</title>
<link>http://feeds.nytimes.com/click.phdo?i=b8cf40a4edd2461d2a834139f4f977fb</link>
<description><![CDATA[Lucas Cruikshank created the character Fred Figglehorn in a series of popular YouTube videos. But can Fred carry a feature film?


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=5959df5f6f7b8b8ec33640b9c7b0f62d">
<title>Film: Show Them the Money</title>
<link>http://feeds.nytimes.com/click.phdo?i=5959df5f6f7b8b8ec33640b9c7b0f62d</link>
<description><![CDATA[Movies’ men of business are failing boldly so success may abound.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=eeace6e8a15234e80efba8a83e4e7f0a">
<title>Advertising: The Two-Way Street for Film Promotions</title>
<link>http://feeds.nytimes.com/click.phdo?i=eeace6e8a15234e80efba8a83e4e7f0a</link>
<description><![CDATA[This season’s promotions are putting a new twist on the Happy Meal model of film marketing, with some efforts branching out into unexpected realms.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=6dea8cf03d54d32d52743e5aa23ae7c7">
<title>Film: This Texan Knows How That Texan Sounds</title>
<link>http://feeds.nytimes.com/click.phdo?i=6dea8cf03d54d32d52743e5aa23ae7c7</link>
<description><![CDATA[The music producer T Bone Burnett brings his skills to the soundtrack for “Crazy Heart.”


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=7d5fdf408ff15508a5f762092fe87f3e">
<title>This Play Really Wants to Be a Movie</title>
<link>http://feeds.nytimes.com/click.phdo?i=7d5fdf408ff15508a5f762092fe87f3e</link>
<description><![CDATA[The stage production of “Brief Encounter” is the mischievous child of David Lean and Noël Coward.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=3a42f74f344d00eaa36f531a60364fb6">
<title>Film: An Actor Nails the Cadence and the Charm</title>
<link>http://feeds.nytimes.com/click.phdo?i=3a42f74f344d00eaa36f531a60364fb6</link>
<description><![CDATA[In “Invictus,” Morgan Freeman conveys the manipulative charm, the serene confidence and the lonely regret of Nelson Mandela.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=c37659cd9ba3082ea78de6a9a5a01a8d">
<title>Arts, Briefly: &#x2018;Moneyball&#x2019; Starts</title>
<link>http://feeds.nytimes.com/click.phdo?i=c37659cd9ba3082ea78de6a9a5a01a8d</link>
<description><![CDATA[Sony Pictures Entertainment’s “Moneyball” is back in the game, with a new director, Bennett Miller, in negotiations to take over, Variety reported.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=3e44144332efe2df07729232250905f4">
<title>Arts, Briefly: But &#x2018;Harvey&#x2019; Stalls</title>
<link>http://feeds.nytimes.com/click.phdo?i=3e44144332efe2df07729232250905f4</link>
<description><![CDATA[Steven Spielberg has withdrawn from the film adaptation of Mary Chase’s 1945 Pulitzer Prize-winning play, “Harvey,” Variety reported.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=3d34f2fdef03ab18eb6bec8b4fc42e61">
<title>Film: He Wears a Revealing Sort of Restraint</title>
<link>http://feeds.nytimes.com/click.phdo?i=3d34f2fdef03ab18eb6bec8b4fc42e61</link>
<description><![CDATA[Colin Firth’s roundabout Englishness and Tom Ford’s forthright Americanness proved a happy marriage with “A Single Man.”


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=2652d051b486ac0eb098879c34222759">
<title>Arts, Briefly: &#x2018;The Blind Side&#x2019; Overtakes &#x2018;Twilight Saga&#x2019;</title>
<link>http://feeds.nytimes.com/click.phdo?i=2652d051b486ac0eb098879c34222759</link>
<description><![CDATA[In a rare comeback for a movie that’s been out for three weeks, Warner Brothers’ “Blind Side” finally took possession of No. 1 at the box office.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=e1044304d6c8c72a2c621d0d8a5d2779">
<title>DVDs: Akira Kurosawa in a Box, Including Early Rareties</title>
<link>http://feeds.nytimes.com/click.phdo?i=e1044304d6c8c72a2c621d0d8a5d2779</link>
<description><![CDATA[The most imposing DVD gift set of this holiday season is “AK 100: 25 Films by Akira Kurosawa.”


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=e02ec8cb8e6adbc68827e0cc8eeb6c74">
<title>On Language: Skxawng!</title>
<link>http://feeds.nytimes.com/click.phdo?i=e02ec8cb8e6adbc68827e0cc8eeb6c74</link>
<description><![CDATA[The making of science-fiction languages.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=a42595a7e0d489187537ac6b68e810cf">
<title>Hollywood Chronicle</title>
<link>http://feeds.nytimes.com/click.phdo?i=a42595a7e0d489187537ac6b68e810cf</link>
<description><![CDATA[Tony Curtis on Marilyn Monroe; Orson Welles’s daughter on her father; a biography of Clint Eastwood; and a memoir by a celebrity biographer.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=9d2dd063e2fbc556ee6f1d167a8454ea">
<title>Polanski Begins House Arrest</title>
<link>http://feeds.nytimes.com/click.phdo?i=9d2dd063e2fbc556ee6f1d167a8454ea</link>
<description><![CDATA[The director Roman Polanski was released from custody on $4.5 million bail and transferred to house arrest in the upscale ski resort of Gstaad on Friday.


]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2009/03/13/business/media/13fox.html?partner=rss&#x26;emc=rss">
<title>Fox Overhauls the Leadership of Its Entertainment Divisions</title>
<link>http://www.nytimes.com/2009/03/13/business/media/13fox.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Riding a wave of successful films as the president of Fox Searchlight Pictures, Peter Rice will become the top entertainment executive.]]></description>
</item>

<item rdf:about="http://carpetbagger.blogs.nytimes.com/2009/03/11/new-films-from-steven-soderbergh-and-eric-bana-join-tribeca-film-festival-line-up/index.html?partner=rss&#x26;emc=rss">
<title>Carpetbagger: Soderbergh and Bana at TriBeCa Festival</title>
<link>http://carpetbagger.blogs.nytimes.com/2009/03/11/new-films-from-steven-soderbergh-and-eric-bana-join-tribeca-film-festival-line-up/index.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[New films from Steven Soderbergh, Eric Bana and Cheryl Hines join the lineup at the coming TriBeCa Film Festival.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2009/03/11/business/media/11agencies.html?partner=rss&#x26;emc=rss">
<title>William Morris and Endeavor Explore a Merger</title>
<link>http://www.nytimes.com/2009/03/11/business/media/11agencies.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[The merger of the two talent agencies would challenge the leadership position of Creative Artists Agency.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2009/03/12/movies/12pinelli.html?partner=rss&#x26;emc=rss">
<title>Tullio Pinelli, Screenwriter for Fellini, Dies at 100</title>
<link>http://www.nytimes.com/2009/03/12/movies/12pinelli.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Mr. Pinelli’s prolific screenwriting career included a long partnership with the director Federico Fellini, with whom he wrote “I Vitelloni,” “La Strada,” “La Dolce Vita” and “8 ½.”]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2009/03/11/movies/11arts-SUNDANCEFEST_BRF.html?partner=rss&#x26;emc=rss">
<title>Arts, Briefly: Sundance Festival Chooses New Director</title>
<link>http://www.nytimes.com/2009/03/11/movies/11arts-SUNDANCEFEST_BRF.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[The Sundance Film Festival has found its new director.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2009/03/11/movies/11arts-RULINGAGAINS_BRF.html?partner=rss&#x26;emc=rss">
<title>Arts, Briefly: Ruling Against Novelist in &#x2018;Sahara&#x2019; Movie Case</title>
<link>http://www.nytimes.com/2009/03/11/movies/11arts-RULINGAGAINS_BRF.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[A judge has ruled that the novelist Clive Cussler must pay $13.9 million in legal fees to the production company that made the film “Sahara.”]]></description>
</item>

<item rdf:about="http://carpetbagger.blogs.nytimes.com/2009/03/10/and-the-dvd-goes-to/index.html?partner=rss&#x26;emc=rss">
<title>Carpetbagger: And the DVD Goes To&#x2026;</title>
<link>http://carpetbagger.blogs.nytimes.com/2009/03/10/and-the-dvd-goes-to/index.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[A large number of the Times’s critics’ picks release on DVD this week.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/17/arts/17dire.html?partner=rss&#x26;emc=rss">
<title>Film Society Chooses Executive Director</title>
<link>http://www.nytimes.com/2008/07/17/arts/17dire.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Mara Manus, the Public Theater’s top financial executive, is taking the helm as the Film Society undergoes a $38 million expansion.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/17/fashion/17ROW.html?partner=rss&#x26;emc=rss">
<title>Front Row: We&#x2019;re Off to See the Ruby Slippers</title>
<link>http://www.nytimes.com/2008/07/17/fashion/17ROW.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Betsey Johnson and 20 other designers are recreating Dorothy’s glittering ruby slippers to commemorate the 70th anniversary of “The Wizard of Oz” next year to benefit the Elizabeth Glaser Pediatric AIDS Foundation.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/16/arts/16arts-CANNESWINNER_BRF.html?partner=rss&#x26;emc=rss">
<title>Arts, Briefly: Cannes Winner to Open New York Film Festival</title>
<link>http://www.nytimes.com/2008/07/16/arts/16arts-CANNESWINNER_BRF.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[The 46th New York Film Festival will open with the North American premiere of “The Class” (“Entre les Murs”).]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/15/movies/15joffe.html?partner=rss&#x26;emc=rss">
<title>Charles H. Joffe, Movie Producer, Is Dead at 78</title>
<link>http://www.nytimes.com/2008/07/15/movies/15joffe.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Mr. Joffe was a co-producer of Woody Allen’s movies and the business expert in the talent agency that managed the careers of a host of high-profile comedians.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/15/business/15paramount.html?partner=rss&#x26;emc=rss">
<title>Paramount Drops Out of Plan to Raise $450 Million for Films</title>
<link>http://www.nytimes.com/2008/07/15/business/15paramount.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Paramount Pictures said it had pulled out of a planned film finance deal that was meant to raise as much as $450 million.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/01/books/review/Keepnews-t.html?partner=rss&#x26;emc=rss">
<title>Out of Control</title>
<link>http://www.nytimes.com/2008/06/01/books/review/Keepnews-t.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[An oral biography of the comedian Chris Farley.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/02/movies/02sex.html?partner=rss&#x26;emc=rss">
<title>&#x2018;Sex and the City&#x2019; Leads Weekend Box Office</title>
<link>http://www.nytimes.com/2008/06/02/movies/02sex.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[The film has earned an estimated $55.7 million since Thursday, making it an unconventional summer hit.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/02/us/02universal.html?partner=rss&#x26;emc=rss">
<title>Fire Destroys Parts of a Popular Movie Lot in California</title>
<link>http://www.nytimes.com/2008/06/02/us/02universal.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[A fire at NBC Universal’s studio lot in Universal City, Calif., destroyed a vault full of movie and television images and parts of the popular studio tour. At least six firefighters were injured.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/02/business/media/02carr.html?partner=rss&#x26;emc=rss">
<title>The Media Equation: Slumber Parties Go Digital</title>
<link>http://www.nytimes.com/2008/06/02/business/media/02carr.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[In the gender wars, men generally win the race to the bottom. This past week though, women were the ones who seemed completely preoccupied by the reproductive act.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/02/business/media/02kavanaugh.html?partner=rss&#x26;emc=rss">
<title>Financier in Hollywood Strikes Deal in D.W.I.</title>
<link>http://www.nytimes.com/2008/06/02/business/media/02kavanaugh.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Ryan Kavanaugh pleaded no contest to, and was convicted of, one count of driving under the influence of alcohol, while more serious charges were dropped.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/01/movies/01mcgr.html?partner=rss&#x26;emc=rss">
<title>Film: That License to Kill Is Unexpired</title>
<link>http://www.nytimes.com/2008/06/01/movies/01mcgr.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Ian Fleming, had he lived, would have celebrated his 100th birthday on Wednesday. James Bond, his greatest invention, is ageless and immortal.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/01/movies/01raff.html?partner=rss&#x26;emc=rss">
<title>Film: Beauty, Brutality and Three Tough Mothers</title>
<link>http://www.nytimes.com/2008/06/01/movies/01raff.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Dario Argento’s latest danse macabre, “Mother of Tears,” starring his daughter Asia, is now on DVD.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/01/fashion/01SEX.html?partner=rss&#x26;emc=rss">
<title>Fashion Review: 10 Years Later, Carrie Coordinated</title>
<link>http://www.nytimes.com/2008/06/01/fashion/01SEX.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Fashion has been a regular character defining trait throughout the “Sex and the City” series, and in the film version, the fashion is jaw-droppingly fantastic.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/06/01/business/media/01pixar.html?partner=rss&#x26;emc=rss">
<title>Disney and Pixar: The Power of the Prenup</title>
<link>http://www.nytimes.com/2008/06/01/business/media/01pixar.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Two years in, the merger of Disney and Pixar is notable for how well the two companies have made it work.]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/05/09/movies/09spee.html?partner=rss&#x26;emc=rss">
<title>Movie Review | &#x27;Speed Racer&#x27;: Gentlemen, Start Your Hot-Hued Engines</title>
<link>http://movies.nytimes.com/2008/05/09/movies/09spee.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[“Speed Racer” sets out to honor and refresh a youthful enthusiasm from the past and winds up smothering the fun in self-conscious grandiosity.]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/05/09/movies/09surf.html?partner=rss&#x26;emc=rss">
<title>Movie Review | &#x27;Surfwise&#x27;: A Family That Surfs to a Beat: Its Own</title>
<link>http://movies.nytimes.com/2008/05/09/movies/09surf.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[“Surfwise” has a bohemian vibe and a cool sheen, but it’s an eager-to-please, pleasing commercial enterprise with a reassuring narrative arc.]]></description>
</item>

<item rdf:about="http://movies.nytimes.com/2008/05/09/movies/09poul.html?partner=rss&#x26;emc=rss">
<title>Movie Review | &#x27;Poultrygeist: Night of the Chicken Dead&#x27;: Going for the Finger-Licking Gusto</title>
<link>http://movies.nytimes.com/2008/05/09/movies/09poul.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[“Poultrygeist: Night of the Chicken Dead” is just about as perfect as a film predicated on the joys of projectile vomiting and explosive diarrhea can be.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/09/fashion/09nite.html?partner=rss&#x26;emc=rss">
<title>A Night Out With Ellen Page: Just a Girl From Halifax</title>
<link>http://www.nytimes.com/2007/12/09/fashion/09nite.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[While many actresses fantasize about wearing Valentino or Zac Posen on the red carpet, Ellen Page has a completely different idea.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/09/theater/09heal.html?partner=rss&#x26;emc=rss">
<title>A Knack for Being the Bad Boy</title>
<link>http://www.nytimes.com/2007/12/09/theater/09heal.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[The British actor Ian McShane opens next week as the patriarch Max in Harold Pinter’s “Homecoming,” a man-monster of diminishing powers and, of course, many vulgarities.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/08/movies/08blac.html?partner=rss&#x26;emc=rss">
<title>Tomorrow&#x2019;s Oscar Hopefuls Today</title>
<link>http://www.nytimes.com/2007/12/08/movies/08blac.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[The “Black List” has become the kind of underground document that writers with projects in development pray will mention their script.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/06/movies/awardsseason/06mira.html?partner=rss&#x26;emc=rss">
<title>Under a New Watch, Miramax Still Homes in on Awards</title>
<link>http://www.nytimes.com/2007/12/06/movies/awardsseason/06mira.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Miramax may be a smaller and calmer organization under Daniel Battsek, but the studio has nonetheless remained in the thick of the awards race.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/05/education/05wiley.html?partner=rss&#x26;emc=rss">
<title>For Struggling Black College, Hopes of a Revival</title>
<link>http://www.nytimes.com/2007/12/05/education/05wiley.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Wiley College is suddenly feeling the glow of celebrity with the release of a film about the school’s debating team.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2007/12/04/movies/homevideo/04dvd.html?partner=rss&#x26;emc=rss">
<title>Critic&#x2019;s Choice: Respect in a Box: Giving John Ford the Major American Artist Treatment</title>
<link>http://www.nytimes.com/2007/12/04/movies/homevideo/04dvd.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[“Ford at Fox” is a gargantuan boxed set that assembles 24 of the 50-some films John Ford made for the studio that was his most consistent home.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/09/movies/redcarpet/09cred.html?ex=1299560400&#x26;en=43f3535b843d9809&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Lawsuit Over Producer Credit for &#x27;Crash&#x27; Gets Personal</title>
<link>http://www.nytimes.com/2006/03/09/movies/redcarpet/09cred.html?ex=1299560400&#x26;en=43f3535b843d9809&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A top executive of the movie academy described one of the producing team behind the best-picture winner, "Crash," as throwing a tantrum in suing over credit for the film.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/07/movies/redcarpet/07osca.html?ex=1299387600&#x26;en=343e955b6b1559c1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: Los Angeles Retains Custody of Oscar</title>
<link>http://www.nytimes.com/2006/03/07/movies/redcarpet/07osca.html?ex=1299387600&#x26;en=343e955b6b1559c1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Los Angeles, a place where race is discussed rarely, saw itself in "Crash," a film where encounter and understanding are just a random fender-bender away. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06osca.html?ex=1299301200&#x26;en=88ae8631b27fa74e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>&#x27;Crash&#x27; Walks Away With the Top Prize at the Oscars</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06osca.html?ex=1299301200&#x26;en=88ae8631b27fa74e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In a stunning twist, the motion picture academy turned its back on "Brokeback Mountain," awarding the Oscar for best picture to "Crash."]]></description>
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<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06fash.html?ex=1299301200&#x26;en=74ae98fe6e2c3233&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Fashion Diary: For Designers, an Image-Making Bonanza That Is Priceless</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06fash.html?ex=1299301200&#x26;en=74ae98fe6e2c3233&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[That everything is borrowed and everyone is shilling may be the most charming characteristic of the Academy Awards show. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06watc.html?ex=1299301200&#x26;en=c2aa71db85e6f4b8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The TV Watch: The Dresses, Low Cut, but the Tones Were Lofty</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06watc.html?ex=1299301200&#x26;en=c2aa71db85e6f4b8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The message of the Academy Awards show was a self-congratulatory one from Hollywood to itself: we care, we dare. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06diar.html?ex=1299301200&#x26;en=e8986a659820975a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Long March to the Red Carpet, Slow and Painful</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06diar.html?ex=1299301200&#x26;en=e8986a659820975a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An Oscar nominee, Bobby Moresco, co-screenwriter of "Crash," prepares himself in the days leading up to the awards. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/03/05/movies/redcarpet/05darg.html?ex=1299214800&#x26;en=42e4baaddc9700cb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Hollywood&#x27;s Crowd Control Problem</title>
<link>http://www.nytimes.com/2006/03/05/movies/redcarpet/05darg.html?ex=1299214800&#x26;en=42e4baaddc9700cb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An expected 41 million Americans will tune into the 78th annual Academy Awards to watch a spectacle largely honoring films they have not seen and may never get around to watching. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03pool.html?ex=1299042000&#x26;en=62a4a42cd3c5f533&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>One Last Best Shot at Calling the Oscars</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03pool.html?ex=1299042000&#x26;en=62a4a42cd3c5f533&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The problem with choosing this year's Oscar winners is that the possibilities seem as endless and impenetrable as the 64-team grid that ends in the N.C.A.A. championship. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03face.html?ex=1299042000&#x26;en=3e2712de36d96bdc&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>After an Oscar Nomination, Everybody Loves You (at Least for a While)</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03face.html?ex=1299042000&#x26;en=3e2712de36d96bdc&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Whether an Oscar nominee's newfound recognition in Hollywood will pay off in future, lasting and top-billed work is a crapshoot.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03tv.html?ex=1299042000&#x26;en=f761b65ca30afa9c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Hype-Week Patter as the Oscars Near</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03tv.html?ex=1299042000&#x26;en=f761b65ca30afa9c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood's magical ball is Sunday night, and all week television personalities have been fretting and squealing about it, expecting us to watch in supportive awe, like Cinderella.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/03/02/movies/redcarpet/02cras.html?ex=1298955600&#x26;en=0567a889abe84d5e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>&#x27;Crash&#x27; Producers Clash Loudly Over Credit and Payment</title>
<link>http://www.nytimes.com/2006/03/02/movies/redcarpet/02cras.html?ex=1298955600&#x26;en=0567a889abe84d5e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A bare-knuckled fight has broken out among the producers of one of the leading Oscar-nominated movies, "Crash," over two of the things Hollywood cares about most: money and credit.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/03/02/movies/02heff.html?ex=1298955600&#x26;en=19d37e30bbf676f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Brokeback Spoofs: Tough Guys Unmasked</title>
<link>http://www.nytimes.com/2006/03/02/movies/02heff.html?ex=1298955600&#x26;en=19d37e30bbf676f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Online parodies of "Brokeback Mountain" are proliferating faster than curatorial Web sites can keep up with them. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/03/02/garden/02fisher.html?ex=1298955600&#x26;en=3e867f2cf40c59e3&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>If You&#x27;ve Got It, Do You Flaunt It?</title>
<link>http://www.nytimes.com/2006/03/02/garden/02fisher.html?ex=1298955600&#x26;en=3e867f2cf40c59e3&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What you do with your Oscar, and where it goes in your house, seems to depend largely on where you are in your life.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/03/02/movies/redcarpet/02teas.html?ex=1298955600&#x26;en=a9609415ddef7d02&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: For Your Consideration: Sappy Hallmark Moments</title>
<link>http://www.nytimes.com/2006/03/02/movies/redcarpet/02teas.html?ex=1298955600&#x26;en=a9609415ddef7d02&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The annual Oscar trailer is completely at odds with the idea that Jon Stewart and a crop of untraditional movies might lead to a newer, fresher Oscar show. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/03/01/education/01education.html?ex=1298869200&#x26;en=95d46192b386947b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>On Education: School Drama Coach Owns a Little Bit of Oscar Night</title>
<link>http://www.nytimes.com/2006/03/01/education/01education.html?ex=1298869200&#x26;en=95d46192b386947b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[John Fredricksen taught the director of "Capote," Bennett Miller, and the film's screenwriter, Dan Futterman, in Mamaroneck, N.Y., in 1984.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/28/movies/redcarpet/28wadler.html?ex=1298782800&#x26;en=fbdde6aa6a5d7f17&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Jon Stewart and the Night Visitor</title>
<link>http://www.nytimes.com/2006/02/28/movies/redcarpet/28wadler.html?ex=1298782800&#x26;en=fbdde6aa6a5d7f17&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It is 3 a.m. and Jon Stewart is anxious. He mutters somthing that sounds like "Stupid, Stupid, Stupid." Than he takes a long swig from a bottle of Stoli.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/27/business/media/27carr.html?ex=1298696400&#x26;en=d78eb92378113a83&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>David Carr: The Big Man Still Reigns in Hollywood</title>
<link>http://www.nytimes.com/2006/02/27/business/media/27carr.html?ex=1298696400&#x26;en=d78eb92378113a83&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[If you drill down into this year's best picture nominees, you will find that they are guerrilla insurgencies backed by superpowers.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/27/business/media/27adcol.html?ex=1298696400&#x26;en=e79431d7fc61cc06&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Advertising: Huge Audience or Not, Oscars Stand Apart</title>
<link>http://www.nytimes.com/2006/02/27/business/media/27adcol.html?ex=1298696400&#x26;en=e79431d7fc61cc06&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[This year's crop of nominations has some advertisers worried about the Oscar-night audience.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/26/fashion/sundaystyles/26oscar.html?ex=1298610000&#x26;en=7e37a53d719136ef&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Tribal Customs of Oscar</title>
<link>http://www.nytimes.com/2006/02/26/fashion/sundaystyles/26oscar.html?ex=1298610000&#x26;en=7e37a53d719136ef&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Unlike typical cocktail soirees, Oscar weekend parties have rules of behavior that fly in the face of conventional manners.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/26/movies/redcarpet/26solo.html?ex=1298610000&#x26;en=69e0f6d7a7333d74&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Careful, These Cartoons Pack a Punch</title>
<link>http://www.nytimes.com/2006/02/26/movies/redcarpet/26solo.html?ex=1298610000&#x26;en=69e0f6d7a7333d74&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In what some animators have complained is less than a vintage year for the Oscars animated short films category, John Canemaker's "Moon and the Son" stands out for its ambition. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/26/movies/26handelman.html?ex=1298610000&#x26;en=8b4c42f7f03eda29&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Directions: What She&#x27;d Really Like to Do Is Sing</title>
<link>http://www.nytimes.com/2006/02/26/movies/26handelman.html?ex=1298610000&#x26;en=8b4c42f7f03eda29&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Kathleen York, an actor-singer-songwriter, gets her close-up at the Academy Awards, where she will perform a song from "Crash."]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/24/movies/24shor.html?ex=1298437200&#x26;en=da605b6a642f4f71&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;The 2005 Academy Award-Nominated Short Films&#x27;: Good Things in Small Packages</title>
<link>http://www.nytimes.com/2006/02/24/movies/24shor.html?ex=1298437200&#x26;en=da605b6a642f4f71&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Oscar hoopla focuses on feature-length films, but some excellent, largely unseen work is also in competition in the short form. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/22/movies/redcarpet/22tease.html?ex=1298264400&#x26;en=1b94387d00565606&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: The Murderous Seductress Is Back</title>
<link>http://www.nytimes.com/2006/02/22/movies/redcarpet/22tease.html?ex=1298264400&#x26;en=1b94387d00565606&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Maybe the "Basic Instinct 2" trailer is trying to be serious and campy at once, but it only succeeds in being frustrating.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/21/movies/redcarpet/21wadler.html?ex=1298178000&#x26;en=990f29ffd67a96f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Penguins Gone Wild</title>
<link>http://www.nytimes.com/2006/02/21/movies/redcarpet/21wadler.html?ex=1298178000&#x26;en=990f29ffd67a96f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What happens when Inspector Jacques Clouseau travels to the frozen Antarctic to observe the long, noble march of the Penguins?]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/20/movies/MoviesFeatures/20osca.html?ex=1298091600&#x26;en=5394e5f6968e5e87&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>A First-Time Oscar Host in Search of That Fine Line</title>
<link>http://www.nytimes.com/2006/02/20/movies/MoviesFeatures/20osca.html?ex=1298091600&#x26;en=5394e5f6968e5e87&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Jon Stewart has, at least for one night, signed on to transform himself from Hollywood outsider to A-list insider.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/19/movies/redcarpet/19raff.html?ex=1298005200&#x26;en=777034091edb6bcb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Robert Altman&#x27;s Long Goodbye</title>
<link>http://www.nytimes.com/2006/02/19/movies/redcarpet/19raff.html?ex=1298005200&#x26;en=777034091edb6bcb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood has never known quite what to make of Robert Altman, but he's finally getting an Oscar anyway.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/17/movies/redcarpet/17fore.html?ex=1297832400&#x26;en=d3532c5b6dc68e9b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Five Oscar Nominees: Foreign, Not Alien</title>
<link>http://www.nytimes.com/2006/02/17/movies/redcarpet/17fore.html?ex=1297832400&#x26;en=d3532c5b6dc68e9b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In this year of politically themed best-picture contenders like "Munich" and "Good Night, and Good Luck," the foreign films have a similar urgency.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/15/movies/redcarpet/15bags.html?ex=1297659600&#x26;en=12006c57c967432a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Celebrity Freebies: A Force Irresistible?</title>
<link>http://www.nytimes.com/2006/02/15/movies/redcarpet/15bags.html?ex=1297659600&#x26;en=12006c57c967432a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In this Hollywood awards season, the piles of free stuff being handed to celebrities  nominees, award presenters, performers and members of their entourages  is escalating.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/15/movies/redcarpet/15tease.html?ex=1297659600&#x26;en=324b2136b7293113&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: From Russia, With All Kinds of Weird Stuff</title>
<link>http://www.nytimes.com/2006/02/15/movies/redcarpet/15tease.html?ex=1297659600&#x26;en=324b2136b7293113&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There are two visually striking, complementary ways of previewing the Russian-language vampire-and-apocalypse movie "Night Watch." ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/12/movies/redcarpet/12rothman.html?ex=1297400400&#x26;en=2735cd1bee3a1e53&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>I&#x27;d Really Like to Thank My Pal at the Auction House</title>
<link>http://www.nytimes.com/2006/02/12/movies/redcarpet/12rothman.html?ex=1297400400&#x26;en=2735cd1bee3a1e53&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The trade in vintage Oscars through publicized auctions and an underground market has become a parallel universe as competitive and bitter as the annual acting derby itself.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/10/movies/redcarpet/10tease.html?ex=1297227600&#x26;en=088897ad90b090c0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: The Tin Men of Hollywood</title>
<link>http://www.nytimes.com/2006/02/10/movies/redcarpet/10tease.html?ex=1297227600&#x26;en=088897ad90b090c0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Freedomland" spots are all over television now, and they're far more effective than the two-and-a-half-minute trailer that is online and in theaters. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/07/movies/redcarpet/07wadler.html?ex=1296968400&#x26;en=7d63194c06024d91&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: &#x27;Tis Pity He&#x27;s a Pimp</title>
<link>http://www.nytimes.com/2006/02/07/movies/redcarpet/07wadler.html?ex=1296968400&#x26;en=7d63194c06024d91&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[For those who disdain hip-hop, here's a tale of pimps and ho's dating back to the time of Shakespeare and suitable for the most discerning viewer.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/06/movies/redcarpet/dargis_qa.html?ex=1296882000&#x26;en=03efa76aba217fff&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Questions for . . . : Manohla Dargis</title>
<link>http://www.nytimes.com/2006/02/06/movies/redcarpet/dargis_qa.html?ex=1296882000&#x26;en=03efa76aba217fff&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Manohla Dargis, a chief film critic for The Times, answered readers' questions about the Academy Awards. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/03/movies/redcarpet/02tease.html?ex=1296622800&#x26;en=6adb02ab25539033&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: Films From All Over</title>
<link>http://www.nytimes.com/2006/02/03/movies/redcarpet/02tease.html?ex=1296622800&#x26;en=6adb02ab25539033&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Based on their trailers, the nominees for Best Foreign Film seem to share the political awareness that also characterizes the major Oscar films this awards season. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01wadler.html?ex=1296450000&#x26;en=d4aa096b9bd14431&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Looking for Comedy in the New World</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01wadler.html?ex=1296450000&#x26;en=d4aa096b9bd14431&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[King James I has sent Albert Brooks-Whining to the New World to find out what makes the Indians laugh, but mostly to get him out of England.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01osca.html?ex=1296450000&#x26;en=eaa530a2d82a8144&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Small Films With Potent Themes Lead Oscar Nominations</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01osca.html?ex=1296450000&#x26;en=eaa530a2d82a8144&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With size counting less than serious intent, Oscar nominations went to small films with deep political and social themes.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01bagg.html?ex=1296450000&#x26;en=60785b3b6497b856&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: Nominations Highlight the Sticky Issue of Credit</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01bagg.html?ex=1296450000&#x26;en=60785b3b6497b856&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The ad-hoc nature of moviemaking on the margins can lead to some hurt feelings when Oscar nominations are announced. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/29/movies/redcarpet/29ande.html?ex=1296190800&#x26;en=6ef335fac255dae1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>And the Documentary Nominees Aren&#x27;t . . .</title>
<link>http://www.nytimes.com/2006/01/29/movies/redcarpet/29ande.html?ex=1296190800&#x26;en=6ef335fac255dae1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Some great documentaries are ineligible for Oscars. Why? It's all in the fine print. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/26/movies/redcarpet/26tease.html?ex=1295931600&#x26;en=7b512bc40ca15543&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: It&#x27;s D&#xE9;j&#xE0; Vu All Over Again</title>
<link>http://www.nytimes.com/2006/01/26/movies/redcarpet/26tease.html?ex=1295931600&#x26;en=7b512bc40ca15543&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[All you can think watching the trailer for "Firewall" is that Harrison Ford should probably give up the ghost of his Tom Clancy roles.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/24/movies/redcarpet/24wadler.html?ex=1295758800&#x26;en=8f51421f30e5bc73&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Clich&#xE9; (Guilty White Bourgeoisie in Denial)</title>
<link>http://www.nytimes.com/2006/01/24/movies/redcarpet/24wadler.html?ex=1295758800&#x26;en=8f51421f30e5bc73&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Underfinanced Production Company's first foreign film has audiences all over downtown scratching their heads in puzzlement.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/22/movies/redcarpet/22globe.html?ex=1295586000&#x26;en=6e2c48c91a7e1bac&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Directions: Diplomacy on The Globes&#x27; Stage</title>
<link>http://www.nytimes.com/2006/01/22/movies/redcarpet/22globe.html?ex=1295586000&#x26;en=6e2c48c91a7e1bac&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In a surprise move, the Golden Globes credited the best foreign language film to Palestine. A representative explains the decision to an editor.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/18/movies/redcarpet/18wadler.html?ex=1295240400&#x26;en=20228d2b81e5c68a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: TransSylvania</title>
<link>http://www.nytimes.com/2006/01/18/movies/redcarpet/18wadler.html?ex=1295240400&#x26;en=20228d2b81e5c68a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[So definitively is this the year of gender malcontent in the cinema that one of its biggest stars has decided to come out of the coffin. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/18/movies/redcarpet/18glob.html?ex=1295240400&#x26;en=1ec503bea952987c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: In Movies, Big Issues, for Now</title>
<link>http://www.nytimes.com/2006/01/18/movies/redcarpet/18glob.html?ex=1295240400&#x26;en=1ec503bea952987c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With the year's string of weighty contenders at the Golden Globes, the industry seems to be suffering from a persistent bout of heavy thought.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17glob.html?ex=1295154000&#x26;en=96f04f77af43c3f4&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>At the Globes, &#x27;Brokeback Mountain&#x27; Takes Top Awards</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17glob.html?ex=1295154000&#x26;en=96f04f77af43c3f4&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Brokeback Mountain," a groundbreaking film about a love affair between two cowboys, took top awards at the 63rd Golden Globes. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17watc.html?ex=1295154000&#x26;en=7c910c2b45774142&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The TV Watch: Where the Mood Is Spontaneous, and a Little Serious</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17watc.html?ex=1295154000&#x26;en=7c910c2b45774142&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Golden Globes are a pass-fail version of the Oscars  a Hollywood awards ceremony that vaguely indicates merit, without any real risk of humiliation. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17Fash.html?ex=1295154000&#x26;en=e03979cb202cd242&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Fashion: The Temperature, Wind and Red Carpet Vagaries</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17Fash.html?ex=1295154000&#x26;en=e03979cb202cd242&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There were probably some last-minute agonies as actresses got ready for the red-carpet gauntlet at the Golden Globes. But for the most part, the women looked elegant.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15darg.html?ex=1294981200&#x26;en=cab347a48feba77b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: Dark Truths of a Killing Love</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15darg.html?ex=1294981200&#x26;en=cab347a48feba77b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In "A History of Violence" David Cronenberg has brilliantly complicated the divide between sex and violence, presenting these two seemingly separate realms as locked in hungry embrace.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15scot.html?ex=1294981200&#x26;en=736973c69c12678f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: How to Succeed in Business</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15scot.html?ex=1294981200&#x26;en=736973c69c12678f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Stephen Gaghan's "Syriana" is a movie full of quiet, enigmatic performances, but none is more intriguingly underplayed than Jeffrey Wright's.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15hold.html?ex=1294981200&#x26;en=1db44a23480db8b9&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: Nine Short Scenes of Women in Crisis</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15hold.html?ex=1294981200&#x26;en=1db44a23480db8b9&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[One brief scene in "Nine Lives" conveys more about its characters' inner lives than is revealed in most feature-length movies.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15edel.html?ex=1294981200&#x26;en=95209189603f47d8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Pervert, Vampire, Lout. Perfectly Nice Guy, Though.</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15edel.html?ex=1294981200&#x26;en=95209189603f47d8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Watching Philip Seymour Hoffman embody Truman Capote in "Capote," you want to throw every acting award there is at him and maybe a couple of Olympic medals, too.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15stev.html?ex=1294981200&#x26;en=8c9c67f8eea23f51&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Claire Danes Gets Her So-Called Shot</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15stev.html?ex=1294981200&#x26;en=8c9c67f8eea23f51&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Shopgirl" may put Claire Danes's intriguing face front and center at the Oscars. It's a role she was raised to play.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15burl.html?ex=1294981200&#x26;en=d875f617ff6e69da&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Why Stop at 43 Nominations?</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15burl.html?ex=1294981200&#x26;en=d875f617ff6e69da&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[John Williams is already the most widely admired musician in Hollywood. He may soon be the most celebrated.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15solo.html?ex=1294981200&#x26;en=2481f022cb5e44e5&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Cartoons Have Their John Henry Moment</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15solo.html?ex=1294981200&#x26;en=2481f022cb5e44e5&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood executives keep insisting that Americans want to watch only computer animation. But the likely candidates for the Oscar for best animated feature defy this assumption.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15jame.html?ex=1294981200&#x26;en=eb9e36b833b4cf32&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>When the Smartest in the Class Isn&#x27;t Most Likely to Succeed</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15jame.html?ex=1294981200&#x26;en=eb9e36b833b4cf32&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It has been a cerebral season at the movies, but when it comes to Oscars, hearts almost always trump minds. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Stranger Than Fiction; No Stranger to Awards</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Eighteeen movies inspired by true stories may vie this year for Oscar nominations  19, if you're a Red Sox fan and want to count "Fever Pitch." ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>For Those Who&#x27;ve Tired of Glory and Riches</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It was a surprisingly busy year for actors-turned-screenwriters.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Cruising on the Road to the Oscars. Or Missing the Exit.</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Some movies come out and steer right onto the fast track to the Academy Awards. Others take a wrong turn.]]></description>
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